Uncategorized Archives - Retro Reminiscing Video and Pictures

Sugar Jets: Space-Age Cereal In A Bowl

Sugar Jets was a General Mills cereal from the 1950s and 1960s, right when everything “space age” seemed exciting to kids.

It actually started in 1953 as Sugar Smiles, a mix of sugar-coated Kix-style puffs and plain Wheaties flakes. Within about a year, General Mills dropped the flakes and renamed it Sugar Jets, giving it a much cooler, rocket-age identity.

The cereal fit perfectly with the times. Rockets, jets, astronauts, and outer space were everywhere in kids’ advertising, so a cereal called Sugar Jets sounded fast, modern, and fun before you even opened the box.

Its mascot was Major Jet, and later the cereal also had connections to cartoon advertising, including promotions with Rocky and Bullwinkle characters.

Betty Crocker didn’t become a cereal giant on her own. She was the trusted General Mills kitchen personality sometimes used to help sell foods, while General Mills handled the cereal aisle.

Looking back, Sugar Jets feels like pure mid-century breakfast marketing: lots of sugar, space-age excitement, cartoon tie-ins, and a name that made cereal sound like it could blast off from the kitchen table.

It’s Thursday night in 1966/67. What’s on ABC?

It’s Thursday night in 1966/67. What’s on ABC? Bewitch at 8:30, Love on a Rooftop at 9:00 and That Girl at 9:30.

Best Cracker Jack Commercial

This Cracker Jack commercial brings back so many memories for me personally. I was about the same age as the boy in the ad, and I’m pretty sure I had the same kind of treasures crammed into my pockets. Marbles, string, maybe a toy car, a whistle, or whatever else seemed important that day.

One of the best parts is the way Jack Gilford accepts the marble as partial payment. He doesn’t just take it and move on. He looks at it like it actually has value, which is exactly how a kid would have seen it. That little moment made the commercial feel warm and believable.

And then there’s the ending, where they remind us there were two sizes: regular and the pass-around-pack. That was such a simple way to sell it. A kid could remember it, repeat it, and probably ask for the bigger one because it sounded like something meant to be shared.

Cracker Jack already had the prize inside, the molasses-coated popcorn and peanuts, and that sense that you were getting more than just a snack. This commercial captured that perfectly. It wasn’t just about buying Cracker Jack. It was about being a kid, having pockets full of “valuable” stuff, and knowing that even a marble could be worth something in the right hands.

“Candy-coated popcorn, peanuts and a prize. That’s what you get in Cracker Jacks!”

The Rookies: A Grown-Up Look At The Working World

As The Rookies came on the air, I was entering my teen years, and this mature adult show fit right in for Monday nights on ABC.

The series aired from 1972 to 1976 and followed three young police officers learning the job the hard way. It wasn’t just car chases and arrests. The show gave viewers a look at pressure, responsibility, danger, mistakes, and the working world that many of us never really got to see up close.

For me, that was part of the appeal. I was old enough to understand that there was a bigger world out there, but young enough that shows like this helped explain it. The Rookies showed people doing a difficult job, dealing with real problems, and trying to figure things out as they went.

Looking back, I can see how shows like this helped shape my interest in what happens behind the scenes in police work, emergency calls, and the stories most people never see. In its own way, The Rookies helped lead me toward becoming a reporter.

The Untouchables: Before There Was Airplane!

Before Robert Stack showed up in Airplane! as Rex Kramer, he was dead serious as Eliot Ness in The Untouchables.

The show aired on ABC from 1959 to 1963 and gave TV viewers a gritty trip back to Prohibition-era Chicago. Stack played Ness as the calm, tough, incorruptible federal agent leading his team against gangsters, bootleggers, and mob bosses.

It had tommy guns, raids, speakeasies, gangland hits, and that hard-boiled narration from Walter Winchell that made every episode feel like a crime file being opened.

And here’s a fun connection: Leslie Nielsen, who later co-starred with Stack in Airplane!, also guest-starred on The Untouchables in the episode “Three Thousand Suspects.” So before they helped make deadpan comedy history, they were both part of this very serious crime-drama world.

Looking back, The Untouchables helped shape the TV crime drama: sharp suits, mob danger, straight-faced lawmen, and the kind of dramatic seriousness that made Airplane! even funnier years later.

Tennessee Tuxedo: The Penguin Who Tried, But Couldn’t Succeed-o

Tennessee Tuxedo and His Tales was a Saturday morning cartoon that aired on CBS from 1963 to 1966. It starred Tennessee Tuxedo, a penguin in a hat and bow tie, and his loyal but dim pal Chumley the walrus. They lived at the Megapolis Zoo and were always trying some new scheme that usually went wrong fast.

Tennessee was voiced by Don Adams, before Get Smart made him a household name. Once you know that, you can hear a little Maxwell Smart in Tennessee’s voice. Chumley was voiced by Bradley Bolke, and Larry Storch voiced the brilliant Phineas J. Whoopee, the professor who explained things with his famous 3DBB, the “three-dimensional blackboard.”

That was the sneaky educational part of the show. Tennessee and Chumley would get into trouble, then Mr. Whoopee would explain science, history, or how something worked, but it didn’t feel like school because the cartoon was still silly.

Looking back, it had that classic early Saturday morning feel: simple animation, funny voices, a catchy theme, and just enough learning hidden inside the laughs. Tennessee may have tried and failed a lot, but the show stuck around in a lot of memories.

National Donut Day: Time To Make The Donuts With Fred

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Today is National Donut Day, so it feels like the perfect time to celebrate with Fred the Baker and his famous line: “Time to make the donuts.”

Fred was played by actor Michael Vale, who became the face of Dunkin’ Donuts in commercials from the early 1980s until 1997. The whole idea was simple: while the rest of us were still sleeping, Fred was dragging himself out of bed before dawn to make fresh donuts. That tired little walk and mumble made him feel like every hardworking person who had to get up early and do the job.

National Donut Day itself goes back much further. It was created by The Salvation Army in Chicago in 1938 to honor the “Doughnut Lassies,” women who served donuts to soldiers during World War I. It also helped raise money for people in need during the Great Depression.

So today, grab a donut and give a little nod to Fred. He made getting up before dawn look exhausting, funny, and somehow heroic.

Time to make the donuts!

Before There Was Jell-O Wrestling…

Check out this advertisement for Jell-O from the early 60’s. Jell-O fisticuffs! Would they run an ad like this today?

The Swing Wing: The Toy That Looked Like a Neck Injury Waiting to Happen

The Swing Wing was a wonderfully weird 1960s toy introduced by Transogram Games in 1965. It was worn on your head like a little cap, with a long ribbon or tail attached. The idea was to whip your head and neck back and forth until the tail spun around like a helicopter. Think Hula Hoop, but for your head.

The commercials made it look like pure kid fun: boys and girls swinging, twisting, dancing, and making the Swing Wing fly around them. But watching it now, you can almost hear every chiropractor in America screaming.

It was supposed to be Transogram’s answer to the Hula Hoop craze, with company hopes that it might become the next big toy sensation. It didn’t.

That’s probably why people remember it now more as a “what were they thinking?” toy than a classic. It had the perfect 1960s formula: bright colors, a catchy commercial, kids moving around like crazy, and absolutely no adult in the room asking, “Should children be violently snapping their necks for fun?”

Looking back, the Swing Wing is peak retro toy madness. Simple idea, great commercial, questionable safety, and the kind of thing that makes you wonder how any of us made it out of childhood with our heads still attached

You Can Take Salem Out of the Country But….

Here’s another forgotten jingle to get stuck in your head: “You can take Salem out of the country, but you can’t take the country out of Salem.”

Salem cigarettes leaned heavily on that fresh, outdoorsy image, using country scenery, easygoing music, and a catchy slogan to make menthol smoking feel cool, clean, and almost wholesome. That was the magic of old cigarette advertising. They weren’t just selling cigarettes, they were selling a mood.

And like so many jingles from back then, once you remember it, it sticks. These commercials were polished little earworms, made to stay with you long after the TV was turned off.

That all changed when cigarette commercials were banned from radio and television starting January 2, 1971, after President Richard Nixon signed the Public Health Cigarette Smoking Act. The ads disappeared, but some of those jingles never really left our heads.Here’s another forgotten jingle to get stuck in your head: “You can take Salem out of the country, but you can’t take the country out of Salem.”

And like so many jingles from back then, once you remember it, it sticks. These commercials were polished little earworms, made to stay with you long after the TV was turned off.