Sammy Davis Jr. Puts His Spin on “Plop Plop, Fizz Fizz”

https://www.theretrosite.com/wp-content/uploads/2026/04/0sammy.mp4

If you grew up in the early 1970s, you didn’t just watch commercials… you experienced them. And when Sammy Davis Jr. showed up singing “Plop Plop, Fizz Fizz,” it felt less like an ad and more like a mini performance right in your living room. This wasn’t just someone reciting a jingle — this was Sammy bringing that full stage presence, the same energy he gave in Vegas, and dropping it into a few unforgettable seconds of television.

By 1973, the Alka-Seltzer jingle was already a household staple, written by Tom Dawes back in the late ’60s. But Sammy’s version gave it new life. He added swing, personality, and that unmistakable charm that made you stop what you were doing and watch. In an era when commercials leaned heavily on catchy tunes and big personalities, this one hit the sweet spot. You remembered the performance first… and somewhere right behind it, the product.

That was the magic of those days. The whole house would pause — parents, kids, whoever was in the room — because you knew something fun was coming. And decades later, it still works. Just reading the words “Plop Plop, Fizz Fizz” probably brought the whole thing rushing back.

Mystery Date

https://www.theretrosite.com/wp-content/uploads/2026/04/0mystery.mp4

If you grew up in the 60s or caught reruns later on, that first Mystery Date commercial was one of those you didn’t forget. It came out right around 1965, and the whole hook was simple but genius—pick your outfit, open the door… and find out if you got the “dreamy date” or the dreaded “dud.”

Who remembers the Ford Country Squire Station Wagon?

https://www.theretrosite.com/wp-content/uploads/2026/04/wagon.mp4

Who remembers the Ford Country Squire Station Wagon? It was our version of the minivan. We called the seating “the way back seats”. Makes sense since there was no known name for that seating back then. I don’t remember if the nauseous feeling riding in the “way back seats” was from the exhaust fumes getting in, or the cigarette fumes from my parents in the front seat. Maybe it was facing the wrong direction while driving. Either way, I still fought my brothers to sit in the “way back”! I remember the trips to the stores, the first time at the carnival, and even a drive-in movie! Did your family have a station wagon? What memories are associated with it?

Free to Be… You and Me.

https://www.theretrosite.com/wp-content/uploads/2026/04/Free-To-Be-You-And-Me.mp4

This whole thing was put together by Marlo Thomas, and you’ve gotta give her credit—it wasn’t just entertainment, it was a message. She wanted something different for kids… something that said you didn’t have to fit into a mold.

Now I’ll be honest, I didn’t realize until later just how many big names were actually part of this. We’re talking a young Michael Jackson—before he became the global superstar—teaming up with Roberta Flack on “Be a Lion.” And then you had Cicely Tyson in the TV special, bringing that powerful, grounded presence she always had.

But what really made this stand out wasn’t just the names… it was the message.

This came out in the early 70s, a time when things were starting to change, and instead of just entertaining kids, it was actually talking to them. It was telling you it’s okay to be yourself, okay to feel what you feel, and you didn’t have to fit into some box just because that’s how things always were.

And the way they did it—with music, stories, and voices you recognized—it just stuck. You might not have even realized what it was doing at the time, but looking back, it was kind of ahead of its time.

So before we even get into it… how many of you remember this one? And did you realize back then who you were actually listening to?

Johnny Quest

https://www.theretrosite.com/wp-content/uploads/2026/04/0-jq.mp4

Back in the mid-60s when Hanna-Barbera put this out, it wasn’t your typical cartoon. This felt different. It wasn’t just silly characters running around… this felt like a full-on adventure series. With the coolest sounding sound effects and an intro that was over a minute and thirty seconds, you knew you were in for something different!

You had Jonny, his dad Dr. Quest, Race Bannon—who every kid thought was the coolest guy alive—and then Hadji. And let’s be honest… Hadji was the one that really stuck with you. The mystery, the magic, that calm voice… he brought something totally different to the show.

What I remember most is how serious it felt. There were real dangers, real villains, and some episodes honestly felt a little intense for a cartoon back then. You didn’t just watch it… you kind of leaned in. It felt like you were going on the adventure with them.

And the music… that opening theme? You hear that today and it still pulls you right back. That’s how you know it stuck.

This wasn’t background TV. This was the kind of show where if it came on, you stopped what you were doing. No rewind, no streaming… you missed it, you missed it.

So I’m curious on this one… were you watching Jonny Quest when it aired, or did you catch it later in reruns? And where do you rank it compared to the other cartoons from that era?

Because for me… this one felt a step above.

The FBI- And Who The Heck Was Efrem Zimbalist Jr?

https://www.theretrosite.com/wp-content/uploads/2026/04/00fbi.mp4

If you grew up in the late 1960s, chances are you remember The F.B.I.. It wasn’t flashy—it just felt real, and that’s what made it work. It was more or less my mom’s show; she watched it, and for me, it was the only decent thing on TV.

What made it stand out was Efrem Zimbalist Jr.. He brought a quiet authority to Inspector Lewis Erskine—calm, believable, and never over the top. While other actors leaned into drama, he leaned into restraint, and that made him unforgettable. Now here’s something a lot of people don’t realize. Zimbalist didn’t come from a typical Hollywood background. His father, Efrem Zimbalist Sr., was one of the most respected classical violinists of his time. Born in Russia, he became an international music star and later served as director of the prestigious Curtis Institute of Music in Philadelphia. So while the son became a television icon, the father was already a legend in a completely different world.

The show aired on ABC from 1965 to 1974, starting on Sunday nights before moving around the schedule. Its realism was helped by cooperation with the real FBI, giving it a grounded, procedural feel.

The Moment TV Jumped The Shark

https://www.theretrosite.com/wp-content/uploads/2026/04/0-fonzie.mp4

f you’ve ever heard someone say a show “jumped the shark,” this is the clip they’re talking about.

I mean… here’s Fonzie, cool as ever, leather jacket and all… out on water skis… and yeah… literally jumping over a shark on Happy Days.

And somewhere along the way, that moment turned into a phrase we still use today.

So here’s how that even happened.

Back in the late ’90s, a guy named Jon Hein created a website called Jump the Shark. The whole idea was to track the exact moment when a TV show starts to go downhill. Not slowly… not over time… but that one moment where you sit there and go, “Alright… what are we doing here?”

And the moment he pointed to?

This one. Fonzie. The shark. 1977. Episode “Hollywood: Part 3.”

From there, it just stuck. The phrase took off, and now people use it for everything. Not just TV… anything that goes too far trying to stay relevant. A show, a company, even people. When it stops feeling real and starts feeling forced… that’s when you hear it… “they jumped the shark.”

Now here’s the part a lot of people don’t realize… the people involved didn’t think it was some disaster at the time.

Henry Winkler has talked about it in interviews and basically said… look, the show had already done physical comedy, and to him, it was just another fun stunt. He’s even pointed out that ratings didn’t suddenly crash after that episode, so in his mind, it didn’t ruin anything.

Writer Fred Fox Jr. said something similar. They were trying to make those Hollywood episodes bigger… more exciting… something different. At the time, it wasn’t, “we’re out of ideas”… it was, “let’s top what we’ve already done.”

And even creator Garry Marshall defended it. He always said people forget just how big Fonzie was back then. The idea was to give him a larger-than-life moment. Something memorable.

Well… mission accomplished.

Because here we are, decades later, still talking about it.

And that’s the funny part. The phrase “jump the shark” is usually meant as a knock… like something went downhill. But this scene? It’s one of the most remembered moments in TV history.

So yeah… maybe it did jump the shark.

But it also made sure none of us would ever forget it.

Forgotten Jingle From Funny Face

https://www.theretrosite.com/wp-content/uploads/2026/04/0-funny.mp4

The Funny Face drink mix commercials from the early 1970s are a classic slice of Saturday morning nostalgia. Produced by Pillsbury as a direct competitor to Kool-Aid, the “When You’re Hot, You’re Hot” campaign leaned heavily into the popular culture of the era to sell their powdered refreshments.

The tagline “When you’re hot, you’re hot… and when you’re not, you’re not” was actually borrowed from the 1971 crossover country hit by Jerry Reed. The commercials adapted this catchy hook to suggest that when kids were hot from playing outside, the “coolest” thing they could be was a “Funny Face.”

The brand was famous for its anthropomorphic fruit characters, each with a distinct personality. During the 70s run, you would typically see:

Goofy Grape: The unofficial leader of the group.

Rootin’ Tootin’ Raspberry: A cowboy-themed character.

Freckle Face Strawberry: One of the most popular flavors.

Loud-Mouth Lime: Known for his wide grin.

Choo-Choo Cherry: An engineer-themed character.

A Bit of Trivia
Interestingly, Funny Face underwent some significant changes before that 70s jingle became famous. Two original characters, Injun Orange and Chinese Cherry, were discontinued in the late 1960s due to their stereotypical nature and were replaced by Jolly Olly Orange and Choo-Choo Cherry.

By the mid-70s, Funny Face began to lose ground to Kool-Aid’s massive “Kool-Aid Man” marketing blitz. While the brand eventually faded from most grocery shelves, the “When You’re Hot, You’re Hot” jingle remains one of the most recognizable pieces of 70s advertising.

If you’re looking into 70s beverage history, you might also remember Wyler’s or Great Shakes, which used similar high-energy animation to grab the attention of the “cereal commercial” demographic.

The Pillsbury Company officially discontinued the brand in 1994.
#FunnyFace #70sCommercials #RetroTV #SaturdayMorning #Jingle #Nostalgia #VintageAds #Pillsbury #KoolAid #GoofyGrape #WhenYoureHot #RetroVibes #ChildhoodMemories #ClassicCommercials #70sKids

Silly Millimeter Longer Ad- Did Your Parents Follow The Trend?

https://www.theretrosite.com/wp-content/uploads/2026/04/0-millimeter-longer.mp4

You ever look back at some of these old commercials and just shake your head?

This is one of those for me… the one where they made a big deal about a cigarette being just a little bit longer. We’re talking a millimeter… something you’d need a ruler to even notice. But back then? They sold it like it was a game changer.

Even as a kid I remember thinking, wait… that’s it? But the way they presented it, you’d think you were looking at a luxury item. Zoomed in shots, side-by-side comparisons, and that smooth voiceover selling the idea like it mattered.

Brands like Virginia Slims leaned hard into that image. It wasn’t just smoking… it was style, confidence, sophistication. And tied into that whole “You’ve come a long way, baby” vibe, it all felt bigger than it really was.

And then there’s the music.

That jingle always hit my ear like La Bamba… that same upbeat, bouncing rhythm that sticks in your head whether you want it to or not. Not the actual song… but close enough that your brain grabs onto it.

And somehow they wrapped all of that together and made cigarette size a trend.

Think about that.

There was a time when a slightly longer cigarette felt like a status move. Longer, slimmer… like you were keeping up with something. They took something barely noticeable and turned it into a whole thing.

Different times, right?

But here we are… still talking about it.

Let me ask you…

Were your parents into the trends… or once they picked a brand, that was it?

An Earworm About Stomachs!

If you remember this commercial… this song is gonna be stuck in your head all day 😄

https://www.theretrosite.com/wp-content/uploads/2026/04/00alka.mp4

I was just thinking about the joy my parents got watching that Schaefer Beer commercial—you know, the one with the new delivery driver singing. The whole house would stop for that. And somehow, that got me thinking about this one too.

Even as an eight-year-old, I remember sitting there laughing right along with my family watching those Alka-Seltzer commercials… just a bunch of different bellies bouncing around on the screen. No faces, no big story… just stomachs of every shape you could imagine. And it was funny every single time.

What I didn’t realize back then was how big this actually became. That catchy tune—“No matter what shape your stomach’s in”—was so popular it turned into a real song by a studio group called The T-Bones. Not only did it get radio play, it actually climbed all the way to #3 on the Billboard charts in 1966. Think about that… a commercial jingle becoming a legit hit song.

And that’s what made those ads so great. They were simple, relatable, and didn’t try too hard. Everybody’s had that uncomfortable feeling after eating too much, and Alka-Seltzer found a funny way to connect with all of us. No actors you had to know… just real-life humor and a tune you couldn’t shake.

And just like that Schaefer song… here we are all these years later, and it still pops right back into your head like it never left.

#AlkaSeltzer #VintageCommercials #60sTV #RetroTV #ClassicCommercials #Nostalgia #BabyBoomers #TVMemories #OldSchoolCool #ThrowbackTV #Jingle #Earworm #1960s #DoYouRemember

Exit mobile version