Classic Cartoons Archives - Retro Reminiscing Video and Pictures

Top Cat

There are certain cartoon openings where you only need the first few seconds before the entire show comes rushing back, and Top Cat is definitely one of those for me. The limousine, the fancy restaurant, T.C. helping himself to somebody else’s lunch and then heading back to the alley told us almost everything we needed to know about him before the episode even started

What I didn’t realize back then was how much Top Cat owed to another television comedy. T.C. was essentially Hanna-Barbera’s cartoon answer to Phil Silvers’ fast-talking Sergeant Bilko, always working another angle and trying to stay one step ahead of authority. They even brought over Maurice Gosfield, who had played Private Doberman with Silvers, to voice Benny the Ball, whose appearance was partly modeled after Gosfield. Arnold Stang gave T.C. that unmistakable voice, while Allen Jenkins became Officer Dibble

The theme is another big part of why this opening stuck with us. Hoyt Curtin, William Hanna and Joseph Barbera are credited on “The Most Effectual Top Cat,” which managed to introduce T.C.’s personality and his position as leader of the gang in less than a minute. Curtin, of course, was also behind music for an amazing number of Hanna-Barbera favorites

And here’s something I think many of us forget: Top Cat wasn’t originally a Saturday-morning cartoon. It premiered in prime time on ABC in 1961 and lasted only 30 episodes. Those episodes found a much longer life in reruns, and the show became especially beloved outside the United States. In Britain it was even called Boss Cat because a cat food already had the Top Cat name, while in Mexico Don Gato became popular enough to eventually inspire feature films

Did you watch Top Cat during its original prime-time run, or do you remember T.C. and the gang mainly from Saturday-morning reruns?

Wacky Races

Saturday mornings became much more dangerous when Wacky Races premiered on CBS on September 14, 1968. Eleven bizarre vehicles raced across the country while Dick Dastardly and his snickering dog, Muttley, stopped every few miles to set another trap.

Every car matched the personality of its driver. Penelope Pitstop had the beauty-salon-equipped Compact Pussycat, Professor Pat Pending drove the transforming Convert-a-Car, and the Gruesome Twosome traveled inside the monster-filled Creepy Coupe. The Ant Hill Mob raced in the Bulletproof Bomb, while lumberjack Rufus Ruffcut drove a wooden vehicle with circular saw blades for wheels.

The funniest part was that Dick Dastardly probably could have won by simply continuing to drive. Instead, he repeatedly stopped his speedy Mean Machine to build complicated traps that usually backfired, leaving him and Muttley behind everyone else. Across all 34 races, they never recorded a first, second or third-place finish.

The cartoon produced only 17 episodes, each containing two separate races, but its characters proved too entertaining to disappear. Penelope and the Ant Hill Mob returned in The Perils of Penelope Pitstop, while Dick Dastardly and Muttley moved into airplanes for Dastardly and Muttley in Their Flying Machines.

Which racer did you root for, and did anyone actually want Dick Dastardly to win?

Faster Than Saturday Morning Television

Before Super Friends and decades before the live-action television series, Filmation brought the Flash racing onto Saturday-morning television. Beginning in 1967, Flash and Kid Flash appeared in short adventures during The Superman/Aquaman Hour of Adventure, battling giant creatures, robots and even another super-speedster. Only three solo cartoons were produced, but the Flash also appeared alongside the Justice League.

The animation was simple, with repeated running scenes, bright streaks and dramatic narration, but somehow that made the Flash seem even faster. Years later, Sheldon Cooper regularly wore Flash shirts and dressed as the character on The Big Bang Theory, helping make that familiar lightning-bolt symbol cool again. Sheldon probably would have watched these cartoons frame by frame, then complained that Barry Allen’s speed was scientifically inconsistent.

Friday Nights Belonged to The Flintstones

Before The Flintstones became a childhood favorite through daytime reruns, it was a genuine prime-time television show. The series premiered on ABC on Friday, September 30, 1960, at 8:30 p.m., when children and adults were expected to watch together.

This lively promo turns the show’s Friday-night time slot into a full Stone Age musical production. Fred, Wilma, Barney, Betty and an assortment of prehistoric entertainers appear as the announcer reminds viewers where they should be on Friday night.

The first three seasons aired Fridays at 8:30. The show’s original opening music was the instrumental “Rise and Shine,” before “Meet the Flintstones” became the familiar theme during the third season.

Did your family watch The Flintstones at night, or do you remember it mostly from afternoon and Saturday-morning reruns?

The Great Grape Ape

Somehow, this cartoon completely escaped my memory, so I’m counting on your memories for this one!

The Great Grape Ape Show debuted in 1975 and followed a friendly, 40-foot-tall purple gorilla who traveled with his small canine friend, Beegle Beagle. Beegle drove their tiny yellow van while Grape Ape rode on top, usually causing confusion wherever they went.

Grape Ape was known for repeating “Grape Ape, Grape Ape!” and calling his friend “Beegly Beagly.” The cartoon originally aired as part of The New Tom and Jerry/Grape Ape Show on Saturday mornings.

Did you watch The Great Grape Ape, and what do you remember most about it?

Josie and the Pussycats

“Long tails and ears for hats!” Josie and the Pussycats brought music, mysteries and wild adventures to CBS Saturday mornings beginning in 1970. Josie, Valerie and Melody traveled around the world performing songs, but they always seemed to run into spies, villains and trouble along the way.

Patrice Holloway, who provided Valerie’s singing voice, sang lead on the unforgettable theme song. The recording group also included Cathy Dougher as Josie and Cherie Moor, later known as Cheryl Ladd, as Melody.

Only 16 original episodes were produced, but the group returned in 1972 for Josie and the Pussycats in Outer Space. Thanks to years of reruns, the catchy theme song and those unforgettable leopard-print outfits, the Pussycats remained favorites long after their original run ended.

Did you watch for the music and mysteries, or were you waiting to see what Alexandra and Sebastian would do next?

Rocky and Bullwinkle

Rocky and Bullwinkle was one of those cartoons that worked on two levels. Kids saw a flying squirrel, a goofy moose, spies, fairy tales, and silly adventures. Adults heard the puns, political jokes, Cold War humor, and smart little digs that went right over a lot of kids’ heads.

The show began in 1959 as Rocky and His Friends on ABC, then moved to NBC in 1961 as The Bullwinkle Show. Rocky was Rocket J. Squirrel, the brave flying squirrel, and Bullwinkle J. Moose was his well-meaning but not always brilliant best friend from Frostbite Falls, Minnesota. The show originally ran until 1964, with reruns continuing for years, including ABC Sunday mornings into the early 1970s.

What made it different was the variety-show style. You did not just get Rocky and Bullwinkle fighting Boris Badenov and Natasha Fatale. You also got Fractured Fairy Tales, Peabody’s Improbable History with Mr. Peabody and Sherman, Aesop and Son, Dudley Do-Right, Bullwinkle’s Corner, and all those cliffhanger endings with ridiculous titles.

The animation was not fancy, even for its time, but the writing was the real star. Jay Ward and Bill Scott leaned into wordplay, satire, narrator jokes, and absurd situations. That is why Rocky and Bullwinkle still feels different from a lot of old cartoons. It was funny for kids, but it was also sneaky smart for the adults in the room. UCLA’s Hammer Museum called the series a “rare gem” and credited its wit to the Jay Ward team, including Bill Scott, June Foray, and the show’s writers and animators.

The Road Runner Show: Saturday Morning Speed

This clip from 1966 comes from The Road Runner Show, when Warner Bros. gave Wile E. Coyote and the Road Runner their own Saturday morning showcase. The formula could not have been simpler: a hungry coyote, a bird who was always one step ahead, a desert full of cliffs, tunnels, rockets, spring-loaded traps, and of course, plenty of bad ideas from Acme.

What made it work was that we knew exactly what was coming, and somehow it was still funny every time. Wile E. Coyote would carefully build the perfect plan, the Road Runner would zip by with a “beep beep,” and gravity would usually handle the rest. For kids watching in 1966, this was Saturday morning cartoon comfort food — fast, colorful, silly, and impossible not to watch.

And speaking of Road Runners, we’ll be staying in the fast lane for the next post — but this time, we’re trading the cartoon desert for one of the most memorable muscle cars to ever borrow a cartoon name.

Magilla Gorilla

Magilla Gorilla was one of those classic Hanna-Barbera characters who was impossible not to like. Sitting in Mr. Peebles’ pet shop with his little hat, bow tie, suspenders, and endless supply of bananas, Magilla was always waiting for someone to take him home.

Of course, every time someone did, it usually went wrong — and poor Mr. Peebles would end up with Magilla right back in the window.

Do you remember watching Magilla Gorilla?

ABC Saturday Morning Cartoons 1971

This is what Saturday mornings looked like when the cereal bowl was full, the TV was warm, and the whole morning belonged to cartoons. ABC’s 1971 lineup brought together a wild mix of animated favorites, spooky fun, music, adventure, and live-action weirdness that only the early ’70s could deliver.

Did you watch ABC on Saturday mornings, or were you switching between channels?