Throwback TV Archives - Retro Reminiscing Video and Pictures

Mighty Mouse: Here He Comes To Save The Day

Mighty Mouse Playhouse first aired on CBS Saturday mornings, beginning December 10, 1955. That date is important because the show helped put the idea of Saturday morning cartoons on the map.

Mighty Mouse had actually started earlier in theatrical cartoons from Terrytoons, debuting in the 1942 short The Mouse of Tomorrow. But TV is what made him a household name. CBS repackaged the older Mighty Mouse cartoons for television, and suddenly kids could see him right at home instead of at the movie theater.

The show had everything kids loved: a tiny hero with super strength, flying rescues, villains, danger, and that unforgettable theme line: “Here I come to save the day!” Mighty Mouse usually showed up just in time to save the helpless and defeat the bad guys.

Looking back, Mighty Mouse Playhouse feels simple now, but it was a big deal. It helped prove that Saturday morning could belong to kids, cereal bowls, pajamas, and cartoons.

Here’s Lucy

Here’s Lucy kept Lucille Ball on Monday night TV with the same kind of physical comedy, celebrity guest stars, and family-style chaos that made her a television legend. This time, Lucy Carter was a widow working for her brother-in-law Harry, played by Gale Gordon, while her real-life children Lucie Arnaz and Desi Arnaz Jr. played her kids.

The show had that familiar Lucy formula: a simple situation gets out of control, Lucy gets into trouble, Harry gets frustrated, and somehow the whole thing turns into comedy. It also became known for big guest stars, including classic Hollywood and TV names, which made each episode feel like a little variety-show surprise.

For fans, Here’s Lucy was not just another sitcom. It was Lucille Ball proving she could still carry a hit show after I Love Lucy and The Lucy Show, while bringing her own family into the act.

The Untouchables: Before There Was Airplane!

Before Robert Stack showed up in Airplane! as Rex Kramer, he was dead serious as Eliot Ness in The Untouchables.

The show aired on ABC from 1959 to 1963 and gave TV viewers a gritty trip back to Prohibition-era Chicago. Stack played Ness as the calm, tough, incorruptible federal agent leading his team against gangsters, bootleggers, and mob bosses.

It had tommy guns, raids, speakeasies, gangland hits, and that hard-boiled narration from Walter Winchell that made every episode feel like a crime file being opened.

And here’s a fun connection: Leslie Nielsen, who later co-starred with Stack in Airplane!, also guest-starred on The Untouchables in the episode “Three Thousand Suspects.” So before they helped make deadpan comedy history, they were both part of this very serious crime-drama world.

Looking back, The Untouchables helped shape the TV crime drama: sharp suits, mob danger, straight-faced lawmen, and the kind of dramatic seriousness that made Airplane! even funnier years later.

The World of Commander McBragg

The World of Commander McBragg was one of those quick little cartoon shorts that showed up inside other shows, especially Tennessee Tuxedo and His Tales and later syndicated cartoon packages. The shorts were usually only about 90 seconds, but they packed in a whole tall tale before moving on.

Commander McBragg was a retired British-style officer and gentleman who loved telling outrageous stories about his impossible adventures. He would buttonhole some poor listener at his club, point to a map or globe, and launch into a story about the time he survived some ridiculous danger. Of course, the name said it all: McBragg. He was always bragging.

The humor came from how seriously he told these completely unbelievable adventures. Giant birds, dangerous jungles, impossible escapes, wild animals, lost valleys, flying machines, and whatever else the writers could dream up. At the end, he would usually survive by some absurd bit of cleverness, then calmly accept praise as if it had all been perfectly normal.

The character’s deep, gravelly voice was done by Kenny Delmar, who had been famous on radio as Senator Claghorn, the character who helped inspire Foghorn Leghorn.

Looking back, Commander McBragg was basically a cartoon version of that old uncle or neighbor who always had a bigger, better, wilder story than everyone else. You didn’t believe a word of it, but you still wanted to hear how he got out of it.

Tennessee Tuxedo: The Penguin Who Tried, But Couldn’t Succeed-o

Tennessee Tuxedo and His Tales was a Saturday morning cartoon that aired on CBS from 1963 to 1966. It starred Tennessee Tuxedo, a penguin in a hat and bow tie, and his loyal but dim pal Chumley the walrus. They lived at the Megapolis Zoo and were always trying some new scheme that usually went wrong fast.

Tennessee was voiced by Don Adams, before Get Smart made him a household name. Once you know that, you can hear a little Maxwell Smart in Tennessee’s voice. Chumley was voiced by Bradley Bolke, and Larry Storch voiced the brilliant Phineas J. Whoopee, the professor who explained things with his famous 3DBB, the “three-dimensional blackboard.”

That was the sneaky educational part of the show. Tennessee and Chumley would get into trouble, then Mr. Whoopee would explain science, history, or how something worked, but it didn’t feel like school because the cartoon was still silly.

Looking back, it had that classic early Saturday morning feel: simple animation, funny voices, a catchy theme, and just enough learning hidden inside the laughs. Tennessee may have tried and failed a lot, but the show stuck around in a lot of memories.

Two-Year-Old Tiger Woods On TV

Before he became one of the greatest golfers of all time, Tiger Woods was a 2-year-old kid on The Mike Douglas Show, standing beside his father Earl and putting while Bob Hope watched.

The clip is incredible because it is not just cute. You can already see the swing, the confidence, and the beginning of something unusual. Tiger’s father, Earl Woods, had introduced him to golf almost as soon as he could walk, and he became his first coach, teacher, and biggest influence.

Earl did more than teach him how to hit a ball. He taught Tiger discipline, focus, and how to handle pressure. That early father-son bond helped shape the child prodigy who would grow into a golf legend.

Looking back, that little TV appearance feels like the first public glimpse of history. A toddler with a golf club, a proud father nearby, and the start of a career nobody could have fully imagined yet.

Sesame Street’s Counting Songs: The Numbers That Got Stuck In Our Heads

When people mention the Sesame Street counting song, a lot of us instantly hear that funky:

“1, 2, 3, 4, 5…”

The best-remembered version is the Pinball Number Count, the animated segment where a pinball rolls through wild little number-themed machines while the song counts up to 12. It was recorded by The Pointer Sisters in 1976, which explains why it had so much more groove than a regular kids’ counting song.

That was part of Sesame Street’s genius. They didn’t talk down to kids. They used real music, catchy animation, and repetition that worked. You learned numbers without feeling like you were being taught.

There were plenty of other number songs on Sesame Street, including ones focused on counting to 10, but the Pinball Number Count is probably the one most people remember first. It was funky, fast, colorful, and impossible to forget.

For a lot of us, that little pinball didn’t just teach numbers. It gave us one of the greatest earworms in children’s TV history.

The New Casper Cartoon Show: The Ending We Remember

If you watched The New Casper Cartoon Show on Saturday mornings, the ending probably brings back just as many memories as the opening.

These are the Casper episodes I’m most familiar with, so seeing the closing again feels like finding an old piece of childhood TV you forgot was still tucked away somewhere. Casper was never the scary kind of ghost. He was gentle, lonely, and always just trying to make a friend.

The show first aired on ABC Saturday mornings in 1963, with new cartoons made for TV along with older Casper shorts. It gave Casper a regular place in the Saturday morning lineup, alongside characters like Wendy the Good Little Witch, The Ghostly Trio, Spooky, and Nightmare the ghost horse.

The ending has that simple old-TV charm. No big production, no loud cliffhanger, just a friendly goodbye from a cartoon that was never trying to be too wild or too scary.

For many of us, this version of Casper is the one that stuck: cereal bowl nearby, TV glowing, and a friendly ghost reminding us that sometimes the nicest character on television was the one everyone else was supposed to be afraid of.

The New Casper Cartoon Show

These are the Casper episodes I’m most familiar with, and it’s good to see them all once again.

The New Casper Cartoon Show first aired on ABC Saturday mornings in 1963, with its original run continuing into early 1964. It included 26 new Casper cartoons made for TV, along with older theatrical cartoons that helped keep Casper on television for years afterward.

Casper had already been around before this show, appearing in theatrical cartoons and Harvey Comics, but this version gave him a regular Saturday morning home. Unlike most ghosts, Casper didn’t want to scare anyone. He just wanted friends, which made him one of the gentler cartoon characters of the era.

The show also featured familiar Harvey characters like Wendy the Good Little Witch, The Ghostly Trio, Spooky, and Nightmare the ghost horse.

Casper would return in later forms too, including Casper and the Angels in the late 1970s and other Harvey cartoon packages that kept him alive for new generations of kids. But for many of us, The New Casper Cartoon Show is the version that feels like Saturday morning: cereal, pajamas, and a friendly ghost who was never too scary.

The Jetsons: The Future We Were Promised

The Jetsons first aired on ABC on Sunday nights at 7:30 p.m., beginning September 23, 1962. The original run was only 24 episodes, but it left a much bigger footprint than its short first season would suggest.

For kids, The Jetsons made the future look amazing. Flying cars, moving sidewalks, video calls, robot maids, push-button meals, and a workday so short George still complained about it. It was basically The Flintstones flipped into outer space, with the Stone Age family replaced by a space-age family.

The show followed George Jetson, his wife Jane, daughter Judy, son Elroy, dog Astro, and of course Rosie the Robot, who somehow became one of the most memorable characters even though she was not in every episode.

What is funny now is how many “future” ideas from The Jetsons don’t seem so crazy anymore. Video calls, flat screens, smart watches, robotic helpers, and push-button convenience all feel a lot closer to real life than they did in 1962.

The original series also has a neat TV trivia note: it was ABC’s first regularly scheduled program broadcast in color, even though many viewers still watched it in black and white.

Looking back, The Jetsons was not just a cartoon. It was the future as the early 1960s imagined it: shiny, funny, automated, and full of gadgets that were supposed to make life easier.

And somehow, George still had a hard day at work.