Sea Hunt and the Shows We Watched With Dad

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Sea Hunt was another show I watched with my dad. Combat!, The Rat Patrol and, heck, even Gomer Pyle, U.S.M.C. were shows many of us watched beside our fathers. We were entertained, but we also learned from them about courage, responsibility, loyalty and doing the right thing.

Lloyd Bridges starred as professional diver Mike Nelson, a former Navy frogman who took on dangerous underwater rescues, criminals, sabotage and sunken mysteries. Sea Hunt ran from January 4, 1958, through September 23, 1961, producing 155 episodes over four seasons.

The show never belonged to one major television network. It was sold directly to local stations through syndication, so families watched it on different nights and at different times depending on where they lived.

Bridges learned to scuba dive for the role and eventually performed many of his own underwater stunts. Since actors could not easily speak underwater, much of the action was explained through Mike Nelson’s narration. Many scenes were filmed in the clear waters of Silver Springs, Florida.

I do not want to sound old, even though I am, but there do not seem to be as many father-and-son bonding shows anymore. Maybe it was not only the programs that made those nights special. Maybe it was simply sitting beside Dad and sharing something together.

Did you watch Sea Hunt with your father, and what other shows brought the two of you together?

McHale’s Navy

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The show aired from 1962 to 1966 and starred Ernest Borgnine as Lt. Commander Quinton McHale, the skipper of PT-73. McHale and his crew were stationed in the South Pacific, where they were supposed to be fighting the war, but most episodes were really about schemes, shortcuts, gambling, trading, and staying one step ahead of their commanding officer.

The breakout comedy came from Tim Conway as the nervous and clumsy Ensign Parker, and Joe Flynn as Captain Binghamton, who was always trying to catch McHale and his men breaking the rules. The crew also included familiar faces like Carl Ballantine, Bob Hastings, and for a time, Gavin MacLeod, years before The Mary Tyler Moore Show and The Love Boat.

What made McHale’s Navy work was that it had the setting of a war show, but the feel of a workplace comedy. McHale’s men were not polished heroes. They were lovable troublemakers who somehow got the job done when it mattered.

For a lot of viewers, it is remembered as one of those black-and-white sitcoms with fast jokes, big characters, and Tim Conway stealing scenes long before he became a legend on The Carol Burnett Show.

Tokin’ With Lawrence Welk

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Only on The Lawrence Welk Show could “One Toke Over the Line” somehow become a “modern spiritual.”

In 1971, Gail Farrell and Dick Dale performed the Brewer & Shipley song on the show, giving it the clean-cut Welk treatment. The funny part came afterward, when Lawrence Welk referred to it as a modern spiritual, apparently not realizing the “toke” in the title was not exactly Sunday-morning church material.

It does not seem like someone deliberately pulled one over on Welk. It was probably more of a perfect generational misunderstanding: a hit song with the word “Jesus” in the chorus made it onto one of TV’s cleanest shows, and everyone smiled through it like it belonged there.

That is what makes the clip so unforgettable. It is a perfect little time capsule of early 1970s television, where a song with counterculture roots could be polished up, dressed up, and served with champagne bubbles.

Did you have Shark Pack?

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I felt that changing the discs to make it do different maneuvers meant you might as well have pushed it by hand. Was I wrong?

Shark Pack was a 1970s toy boat line from Ideal, and the big feature was its interchangeable program discs. Instead of radio control, you put in a disc, set the boat loose, and it would follow a preset pattern, turning or circling depending on which disc you used.

For the time, that was a pretty clever idea. It gave kids a way to “program” the boat before home computers and remote-control toys became common. The commercial made it look exciting, with the boats cutting through the water and changing direction on command.

Like a lot of toys from that era, the real fun probably depended on where you used it and what you expected from it. If you had a pool, pond, or enough room to let it run, Shark Pack may have been a lot of fun. If you were expecting total control, the disc-changing part may have felt a little less magical.

That’s why I’m curious. Did Shark Pack really live up to the ad, or was it one of those toys that looked better on TV?

Mighty Mouse: Here He Comes To Save The Day

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Mighty Mouse Playhouse first aired on CBS Saturday mornings, beginning December 10, 1955. That date is important because the show helped put the idea of Saturday morning cartoons on the map.

Mighty Mouse had actually started earlier in theatrical cartoons from Terrytoons, debuting in the 1942 short The Mouse of Tomorrow. But TV is what made him a household name. CBS repackaged the older Mighty Mouse cartoons for television, and suddenly kids could see him right at home instead of at the movie theater.

The show had everything kids loved: a tiny hero with super strength, flying rescues, villains, danger, and that unforgettable theme line: “Here I come to save the day!” Mighty Mouse usually showed up just in time to save the helpless and defeat the bad guys.

Looking back, Mighty Mouse Playhouse feels simple now, but it was a big deal. It helped prove that Saturday morning could belong to kids, cereal bowls, pajamas, and cartoons.

Who had a Secret Sam?

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With all it could do, there were still many other toys I wanted more. I remember seeing the commercials and thinking it looked impressive, but I wasn’t sure it would live up to the way it looked on TV.

Secret Sam was a Topper Toys spy set from the mid-1960s, right when James Bond, The Man from U.N.C.L.E., and secret-agent gadgets were everywhere. The big item was the Secret Sam Attaché Case, a black briefcase that hid a toy gun setup inside. It could be used as a pistol, converted into a rifle, fitted with a silencer, and even fired from inside the case. Some versions also had a message missile and a small working camera.

So did it live up to expectations? Probably yes if you were deep into spy play and had a good imagination. But if you expected it to work exactly like a TV spy gadget, maybe not. Like a lot of toys from that era, the commercial did most of the heavy lifting.

Looking back, Secret Sam was the kind of toy that looked incredible under the Christmas tree, but the real fun depended on how much secret-agent adventure you could create around it.

Speedline Race Cars: The Hot Wheels Rival

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Many of you asked about these when I posted the Hot Wheels advertisement. So now I have to ask: which did you have? Hot Wheels, Matchbox, Speedline, or all of them?

Speedline race cars were part of that late-19660s toy-car boom, when every company wanted a piece of the racing action. Hot Wheels had the orange track and wild colors, Matchbox had the more realistic little cars, and Speedline tried to get into the race with its own fast-looking cars and track sets.

They never became as famous as Hot Wheels, but that’s what makes them fun to remember. Some kids had the big names. Some had the off-brand or lesser-known racers. And honestly, when you were on the floor setting up races, it didn’t always matter what brand was stamped underneath. If the car was fast, it made the lineup.

For a lot of us, these little cars were more than toys. They were races across the living room, arguments over whose car won, and the beginning of a car collection before we even knew we were collecting.

So which ones were in your house?

Here’s Lucy

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Here’s Lucy kept Lucille Ball on Monday night TV with the same kind of physical comedy, celebrity guest stars, and family-style chaos that made her a television legend. This time, Lucy Carter was a widow working for her brother-in-law Harry, played by Gale Gordon, while her real-life children Lucie Arnaz and Desi Arnaz Jr. played her kids.

The show had that familiar Lucy formula: a simple situation gets out of control, Lucy gets into trouble, Harry gets frustrated, and somehow the whole thing turns into comedy. It also became known for big guest stars, including classic Hollywood and TV names, which made each episode feel like a little variety-show surprise.

For fans, Here’s Lucy was not just another sitcom. It was Lucille Ball proving she could still carry a hit show after I Love Lucy and The Lucy Show, while bringing her own family into the act.

The Untouchables: Before There Was Airplane!

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Before Robert Stack showed up in Airplane! as Rex Kramer, he was dead serious as Eliot Ness in The Untouchables.

The show aired on ABC from 1959 to 1963 and gave TV viewers a gritty trip back to Prohibition-era Chicago. Stack played Ness as the calm, tough, incorruptible federal agent leading his team against gangsters, bootleggers, and mob bosses.

It had tommy guns, raids, speakeasies, gangland hits, and that hard-boiled narration from Walter Winchell that made every episode feel like a crime file being opened.

And here’s a fun connection: Leslie Nielsen, who later co-starred with Stack in Airplane!, also guest-starred on The Untouchables in the episode “Three Thousand Suspects.” So before they helped make deadpan comedy history, they were both part of this very serious crime-drama world.

Looking back, The Untouchables helped shape the TV crime drama: sharp suits, mob danger, straight-faced lawmen, and the kind of dramatic seriousness that made Airplane! even funnier years later.

Cheerios: Get Yourself Go!

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Before cereal commercials got too complicated, Cheerios gave us the Cheerios Kid, Sue, and the promise of “go-power.”

The idea was simple: eat Cheerios and suddenly you had the energy to take on whatever trouble showed up next. The late-1960s ads had that catchy “Get Yourself Go” jingle, the kind of line that stuck in your head long after Saturday morning cartoons were over.

A fun bit of trivia: the jingle is credited to Neil Diamond, before most of us knew him as the Neil Diamond.

Looking back, it was pure cereal-commercial magic: a bowl of oats, a quick cartoon adventure, and one more earworm we never quite forgot.

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