Saturday Morning Cartoons Archives - Retro Reminiscing Video and Pictures

Peabody and Sherman

Peabody and Sherman were one of those great little pieces of Rocky and Bullwinkle that managed to sneak some history in between all the jokes. Officially called Peabody’s Improbable History, the series followed the unbelievably intelligent Mr. Peabody and his adopted boy Sherman as they traveled through time using the WABAC Machine.

What surprised me is just how many of these they made — 91 separate adventures, most only about four-and-a-half minutes long. Bill Scott supplied Peabody’s voice, and he was also the voice of Bullwinkle and Dudley Do-Right. Sherman was voiced by Walter Tetley, who was already 44 years old when the series debuted in 1959, despite sounding completely believable as a young boy.

The supporting voices were just as impressive. Paul Frees, better known around the Bullwinkle universe as Boris Badenov, handled many of the historical characters, while June Foray turned up in numerous female roles.

And then there was that wonderful WABAC Machine. The name became so closely associated with traveling into the past that decades later the Internet Archive borrowed the idea for its own Wayback Machine.

The history was usually twisted, the situations were ridiculous, and Peabody somehow always managed to finish everything off with a terrible pun. That’s probably exactly why we remember them so well.

The Bullwinkle Show

I think one of the reasons Rocky and Bullwinkle still holds up is that when we watched it as kids, we probably weren’t getting half the jokes! The kids got a flying squirrel, a goofy moose and Boris and Natasha constantly trying to cause trouble, while the adults were getting political satire, pop-culture references and some pretty clever wordplay.

The show actually started in 1959 as Rocky and His Friends before moving to NBC in 1961 and becoming The Bullwinkle Show. What surprised me was how much talent was packed into those voices. Bill Scott, who played Bullwinkle, was also the show’s head writer and co-producer. June Foray voiced both Rocky and Natasha, Paul Frees played Boris, and that great narrator’s voice belonged to William Conrad, who many of us later knew as Cannon.

Here’s another one I didn’t know: Bullwinkle’s name reportedly came from a real person, Clarence Bullwinkel, who owned a car dealership near Berkeley and was known by creator Alex Anderson.

And despite how simple the animation sometimes looked, that almost became part of the charm. A lot of the animation work was done in Mexico to keep production costs down, while the writing remained incredibly sharp.

I went back to these cartoons expecting pure childhood nostalgia, but they’re actually funnier when you’re old enough to understand what the writers were sneaking past us!

The Herculoids

How many of you can still name all the Herculoids just from watching this opening? Zok, Igoo, Tundro, Gloop and Gleep — along with Zandor, Tara and Dorno — made for one of the strangest and most memorable groups Hanna-Barbera ever put together

What amazes me is how few episodes there actually were. The Herculoids debuted on CBS in 1967, and only 18 original half-hours were produced, containing 36 shorter adventures. Yet those episodes were rerun enough that the show feels like it was around much longer than it really was. Joseph Barbera later even recalled the series pulling an extraordinary 60 share in the ratings

The incredible look of the show came from Alex Toth, the legendary comic-book artist who helped shape Hanna-Barbera’s adventure cartoons. Toth was also heavily involved with characters and designs for Space Ghost, Birdman, Fantastic Four and other shows that gave Saturday mornings a very different look from Hanna-Barbera’s comedy cartoons

There was some great voice talent hiding behind all those creatures too. Mike Road, who many of us also remember as Race Bannon on Jonny Quest, handled Zandor along with Zok, Igoo and Tundro. Don Messick gave us both Gloop and Gleep before becoming the voice of Scooby-Doo just two years later

And those creatures really were wonderfully bizarre. Tundro had ten legs and fired explosive rocks, Zok shot energy beams, Igoo was essentially a walking rock pile, and Gloop and Gleep could turn themselves into practically whatever the story required — shields, trampolines, parachutes or slingshots

The Herculoids weren’t forgotten either. They crossed paths with Space Ghost, appeared in comics from both DC and Marvel, and returned with 11 brand-new adventures in 1981 as part of Space Stars. Oddly enough, their planet Amzot became Quasar for the revival

For a cartoon with only 18 original half-hours, The Herculoids certainly left a big impression

Who was your favorite — Zok, Igoo, Tundro, Gloop or Gleep?

Birdman and the Galaxy Trio

How many of you remember this opening? Birdman and the Galaxy Trio arrived on NBC Saturday mornings on September 9, 1967, right in the middle of Hanna-Barbera’s great superhero period. Birdman could fly, fire solar energy from his hands and create shields, but there was one major catch — he had to keep recharging himself with sunlight. Take away the sun and suddenly our superhero was in serious trouble.

Birdman was created by legendary artist Alex Toth, whose fingerprints were all over this era of Hanna-Barbera adventure cartoons. He was also closely associated with the designs of Space Ghost and The Herculoids, which helps explain why these shows all had that wonderfully dramatic comic-book look many of us remember.

Keith Andes supplied Birdman’s powerful voice and that unforgettable “Biiiirdman!” battle cry. There were some other great connections hiding in the cast too. Don Messick was Falcon 7 before becoming Scooby-Doo, while Dick Beals played Birdboy — and if his voice sounds familiar, he was also Speedy Alka-Seltzer in hundreds of commercials. Over with the Galaxy Trio, Ted Cassidy, better known as Lurch on The Addams Family, voiced Meteor Man.

The music was by Ted Nichols, one of the composers who helped give Hanna-Barbera’s adventure shows such a big, dramatic sound. Nichols also worked on Space Ghost, Jonny Quest, Scooby-Doo and many other familiar cartoons during his years at Hanna-Barbera. He died earlier this year at age 97.

And September 9, 1967 was quite a Saturday morning. Birdman, The Herculoids and Hanna-Barbera’s Fantastic Four all debuted that same day on competing networks. Birdman himself lasted only 20 half-hours, but he certainly wasn’t forgotten. More than 30 years later he was completely reinvented as an attorney in Harvey Birdman, Attorney at Law, introducing the character to an entirely different generation.

Did you watch Birdman during its original run, or was this another one you discovered through Saturday morning reruns?

Top Cat

There are certain cartoon openings where you only need the first few seconds before the entire show comes rushing back, and Top Cat is definitely one of those for me. The limousine, the fancy restaurant, T.C. helping himself to somebody else’s lunch and then heading back to the alley told us almost everything we needed to know about him before the episode even started

What I didn’t realize back then was how much Top Cat owed to another television comedy. T.C. was essentially Hanna-Barbera’s cartoon answer to Phil Silvers’ fast-talking Sergeant Bilko, always working another angle and trying to stay one step ahead of authority. They even brought over Maurice Gosfield, who had played Private Doberman with Silvers, to voice Benny the Ball, whose appearance was partly modeled after Gosfield. Arnold Stang gave T.C. that unmistakable voice, while Allen Jenkins became Officer Dibble

The theme is another big part of why this opening stuck with us. Hoyt Curtin, William Hanna and Joseph Barbera are credited on “The Most Effectual Top Cat,” which managed to introduce T.C.’s personality and his position as leader of the gang in less than a minute. Curtin, of course, was also behind music for an amazing number of Hanna-Barbera favorites

And here’s something I think many of us forget: Top Cat wasn’t originally a Saturday-morning cartoon. It premiered in prime time on ABC in 1961 and lasted only 30 episodes. Those episodes found a much longer life in reruns, and the show became especially beloved outside the United States. In Britain it was even called Boss Cat because a cat food already had the Top Cat name, while in Mexico Don Gato became popular enough to eventually inspire feature films

Did you watch Top Cat during its original prime-time run, or do you remember T.C. and the gang mainly from Saturday-morning reruns?

Wacky Races

Saturday mornings became much more dangerous when Wacky Races premiered on CBS on September 14, 1968. Eleven bizarre vehicles raced across the country while Dick Dastardly and his snickering dog, Muttley, stopped every few miles to set another trap.

Every car matched the personality of its driver. Penelope Pitstop had the beauty-salon-equipped Compact Pussycat, Professor Pat Pending drove the transforming Convert-a-Car, and the Gruesome Twosome traveled inside the monster-filled Creepy Coupe. The Ant Hill Mob raced in the Bulletproof Bomb, while lumberjack Rufus Ruffcut drove a wooden vehicle with circular saw blades for wheels.

The funniest part was that Dick Dastardly probably could have won by simply continuing to drive. Instead, he repeatedly stopped his speedy Mean Machine to build complicated traps that usually backfired, leaving him and Muttley behind everyone else. Across all 34 races, they never recorded a first, second or third-place finish.

The cartoon produced only 17 episodes, each containing two separate races, but its characters proved too entertaining to disappear. Penelope and the Ant Hill Mob returned in The Perils of Penelope Pitstop, while Dick Dastardly and Muttley moved into airplanes for Dastardly and Muttley in Their Flying Machines.

Which racer did you root for, and did anyone actually want Dick Dastardly to win?

Faster Than Saturday Morning Television

Before Super Friends and decades before the live-action television series, Filmation brought the Flash racing onto Saturday-morning television. Beginning in 1967, Flash and Kid Flash appeared in short adventures during The Superman/Aquaman Hour of Adventure, battling giant creatures, robots and even another super-speedster. Only three solo cartoons were produced, but the Flash also appeared alongside the Justice League.

The animation was simple, with repeated running scenes, bright streaks and dramatic narration, but somehow that made the Flash seem even faster. Years later, Sheldon Cooper regularly wore Flash shirts and dressed as the character on The Big Bang Theory, helping make that familiar lightning-bolt symbol cool again. Sheldon probably would have watched these cartoons frame by frame, then complained that Barry Allen’s speed was scientifically inconsistent.

The Great Grape Ape

Somehow, this cartoon completely escaped my memory, so I’m counting on your memories for this one!

The Great Grape Ape Show debuted in 1975 and followed a friendly, 40-foot-tall purple gorilla who traveled with his small canine friend, Beegle Beagle. Beegle drove their tiny yellow van while Grape Ape rode on top, usually causing confusion wherever they went.

Grape Ape was known for repeating “Grape Ape, Grape Ape!” and calling his friend “Beegly Beagly.” The cartoon originally aired as part of The New Tom and Jerry/Grape Ape Show on Saturday mornings.

Did you watch The Great Grape Ape, and what do you remember most about it?

Josie and the Pussycats

“Long tails and ears for hats!” Josie and the Pussycats brought music, mysteries and wild adventures to CBS Saturday mornings beginning in 1970. Josie, Valerie and Melody traveled around the world performing songs, but they always seemed to run into spies, villains and trouble along the way.

Patrice Holloway, who provided Valerie’s singing voice, sang lead on the unforgettable theme song. The recording group also included Cathy Dougher as Josie and Cherie Moor, later known as Cheryl Ladd, as Melody.

Only 16 original episodes were produced, but the group returned in 1972 for Josie and the Pussycats in Outer Space. Thanks to years of reruns, the catchy theme song and those unforgettable leopard-print outfits, the Pussycats remained favorites long after their original run ended.

Did you watch for the music and mysteries, or were you waiting to see what Alexandra and Sebastian would do next?

Everything’s Archie

There was a time when the back of a cereal box could be almost as exciting as what was inside.

This Everything’s Archie Post Cereal commercial is a perfect example. In the late 1960s, kids could find Archie-themed prizes on specially marked Post cereal boxes, including cardboard records you could actually cut out and play. They were not exactly hi-fi, but to a kid, getting music from the back of a cereal box felt like magic.

The timing was perfect. The Archies were everywhere, with the cartoon band becoming a Saturday morning favorite and “Sugar, Sugar” turning into one of the biggest songs of 1969. So Post put Archie, Betty, Veronica, Jughead, Reggie, Sugar Bear, cereal, cartoons, and music all into one kid-friendly promotion.

Who else remembers cereal boxes that gave you something to do after breakfast?