1960s commercials Archives - Retro Reminiscing Video and Pictures

Quisp Cereal

What other cereal commercial could turn a giant ball of space yarn into an 87-mile-long necktie? This Quisp ad feels more like a miniature Saturday morning cartoon than a commercial, with Quisp flying through space to deliver cereal before encountering a very “knotty” problem.

Quisp was not just a cereal mascot. He was the Crown Prince of Planet Q, and the propeller on his head allowed him to fly through space. He occasionally traveled with a furry sidekick named Quunchy and competed against Quake, a musclebound miner voiced by Cannon star William Conrad.

Quaker Oats introduced Quisp in 1965, with crunchy corn pieces shaped like flying saucers. The commercials were produced by Jay Ward, creator of Rocky and Bullwinkle, which explains their fast jokes, wild characters and cartoon-style adventures. Daws Butler, also famous as the voice of Yogi Bear, provided Quisp’s voice.

Quisp never starred in a regular cartoon series, but its animated commercials often appeared during children’s programming and became almost as memorable as the shows they sponsored. The cereal disappeared and returned several times over the decades before Quaker discontinued it again around 2024.

Do you remember eating Quisp, or were the crazy commercials more memorable than the cereal?

Mr. Bubble Gets You So Clean, Your Mother Won’t Know You

Hey, it’s Saturday, and for a lot of us, that used to mean bath night!

Mr. Bubble made bath time feel less like a chore and more like something to look forward to. The famous line, “Mr. Bubble gets you so clean, your mother won’t know you,” worked because it sounded like it was made just for kids. It turned a regular bath into a funny little promise: you would come out so clean, you might look like a different kid.

It was also classic 1960s advertising. The line was simple, catchy, easy to repeat, and just exaggerated enough to stick in your head. Kids heard “bubbles and fun,” while mothers heard “clean child, no bathtub ring, and inexpensive.”

And for anyone who remembers Saturday night baths, there was nothing quite like a tub full of Mr. Bubble.

When Plymouth Turned a Cartoon Into a Muscle Car

The Road Runner was already a Saturday morning favorite before Plymouth got involved. Kids knew the bird, the desert, the endless chase, and that famous “Beep Beep!”

Then Plymouth did something that still feels almost unbelievable: they named a real muscle car after the cartoon.

The Plymouth Road Runner arrived for 1968, and it was not just a car with a cute name. Plymouth actually licensed the Warner Bros. character, put the bird on the car, and even gave it a horn that went “Beep Beep.” How many cars can say their personality came from a cartoon?

That was the genius of it. The Road Runner cartoon meant speed, fun, and always staying one step ahead. That fit perfectly with a stripped-down, affordable muscle car built for younger drivers who wanted performance without a lot of fancy extras.

So when Plymouth used the Road Runner in commercials, it was more than a gimmick. It connected Saturday morning cartoons to the muscle car era in a way that made instant sense. The bird was fast on TV, and now Plymouth was saying their car was fast on the street.

Looking back, it may be one of the best matches between pop culture and automobiles ever made. A cartoon character, a muscle car, and a horn that could make everybody smile.

Beep Beep!

Colt 45 and the Man Who Waited for the Pour

Colt 45 started in Baltimore in 1963, and even the name had a local sports connection. The brand now says it was named for Baltimore Colts running back Jerry Hill, who wore jersey #45. So right from the start, Colt 45 had that mix of beer, sports, attitude, and local pride built into it.

But before Billy Dee Williams later made Colt 45 famous with “works every time,” the brand had another unforgettable advertising campaign — the calm, silent man who barely reacted to anything.

In the 1960s Colt 45 malt liquor commercials, Billy Van sat at a table while the world around him went completely crazy. There could be noise, danger, action, beautiful women, strange characters, or total chaos, and he would barely move.

Then the Colt 45 was poured.

That was the joke. Nothing impressed him until the glass filled up.

The campaign came from W.B. Doner, the Baltimore ad agency behind Colt 45’s early advertising for National Brewing. Their idea was not to make another ordinary beer commercial. They wanted Colt 45 to feel different — a “completely unique experience” — and these ads certainly were. They played more like strange little comedy sketches than standard drink ads.

Even the music helped. The odd, bouncy tune came from Robert Maxwell’s “Solfeggio,” better known to classic TV fans from Ernie Kovacs’ Nairobi Trio. It gave the commercials that slightly offbeat, almost dreamlike feel.

Looking back, these ads were pure 1960s advertising: stylish, weird, simple, and memorable. A Baltimore-born malt liquor, a silent comic setup, a familiar piece of oddball TV music, and one perfect reaction when the drink was poured.

Do you remember the Colt 45 man who stayed calm through everything?

New Country Corn Flakes

The New Country Corn Flakes commercial stood out to me as a kid, and I still remember it to this day. So I guess it was an effective ad.

It was not flashy by today’s standards. There were no cartoon mascots running around, no big prize reveal, and no wild animation. Instead, it had that plain, old-fashioned country feel, with a serious farm couple look that reminded people of American Gothic.

That may be why it stuck. The ad was simple, a little odd, and very catchy. It kept repeating the name and selling the idea that these corn flakes were crispier, toastier, and just a little different from the usual bowl of cereal.

Looking back, it feels like a perfect example of early 1960s advertising. Sometimes the commercials that stayed with us were not the loudest ones. They were the ones that had a strange little rhythm, a memorable image, or a jingle that somehow never left your head.

Do you remember New Country Corn Flakes, or is there another cereal commercial that has stayed with you all these years?

Put A Little Old Spice In Your Life!

Before Old Spice became the loud, funny commercial brand we know today, it sold romance, confidence, and that “dad or granddad getting ready for a night out” feeling. This vintage ad with Brett Halsey and Catherine Roberts is pure old-school TV advertising — elegant music, a beautiful woman, a handsome man, and the simple message that Old Spice made him unforgettable.

Ho Ho Ho… Green Giant!

Some commercials you don’t just remember — you can still hear them. The Jolly Green Giant made vegetables feel bigger than life with that booming “Ho Ho Ho!”

The Green Giant character first appeared in advertising in 1928, but he wasn’t always the friendly leafy giant we remember. In 1935, ad man Leo Burnett helped reshape him into the smiling Jolly Green Giant.

The TV version most of us remember really took off around 1961, when “Ho Ho Ho” became his signature line and “Good Things from the Garden” became part of the campaign. The deep voice belonged to Len Dresslar, a Chicago singer whose laugh became one of the most famous sounds in advertising.

The Giant later got a young helper, Little Green Sprout, in the early 1970s. The campaign faded in and out over the years, but it never really disappeared. Even if he wasn’t always in the commercials, he stayed right there on the package.

Ho Ho Ho… Green Giant!

The Frito Bandito

The Frito Bandito was introduced by Frito-Lay in 1967 as a cartoon mascot for Fritos corn chips. He was animated in early commercials by Tex Avery and voiced by Mel Blanc, the legendary voice behind Bugs Bunny, Daffy Duck, Porky Pig, and many others.

The idea was simple: the Bandito wanted your Fritos. With his sombrero, big mustache, pistols, and catchy jingle, he became one of those commercial characters kids remembered right away. The song, based on “Cielito Lindo,” made the ads especially hard to forget.

The campaign also drew complaints from Mexican-American groups who felt the character leaned too heavily on stereotypes. Frito-Lay softened his look over time, including removing the guns, but the character was eventually retired around 1971.

For many who grew up with late-’60s and early-’70s TV, the Frito Bandito is one of those ads that instantly brings back Saturday morning cartoons, snack commercials, and jingles you could still remember decades later.

Tags: Frito Bandito, Fritos, Frito-Lay, 1960s commercials, vintage advertising, retro commercials, Mel Blanc, Tex Avery, Saturday morning commercials, snack food ads, The Retro Site

Cheerios: Get Yourself Go!

https://www.theretrosite.com/wp-content/uploads/2026/06/Cheerios.mp4

Before cereal commercials got too complicated, Cheerios gave us the Cheerios Kid, Sue, and the promise of “go-power.”

The idea was simple: eat Cheerios and suddenly you had the energy to take on whatever trouble showed up next. The late-1960s ads had that catchy “Get Yourself Go” jingle, the kind of line that stuck in your head long after Saturday morning cartoons were over.

A fun bit of trivia: the jingle is credited to Neil Diamond, before most of us knew him as the Neil Diamond.

Looking back, it was pure cereal-commercial magic: a bowl of oats, a quick cartoon adventure, and one more earworm we never quite forgot.

Silly Rabbit, Trix Are For Kids!

https://www.theretrosite.com/wp-content/uploads/2026/06/Trix.mp4

The Trix Rabbit is one of those cereal mascots who spent decades chasing the same bowl of cereal and almost never getting it.

Trix cereal was introduced by General Mills in 1954, but the famous slogan came a little later. General Mills says “Trix are for kids!” first appeared on the box in 1959, before the now-famous rabbit fully took over the campaign.

The setup was simple and perfect for kids: the rabbit wanted Trix, the kids caught him trying to get some, and then came the line everybody remembers:

“Silly rabbit, Trix are for kids!”

It worked because it was funny, colorful, and a little unfair. As kids, some of us probably felt bad for the rabbit. He tried costumes, schemes, disguises, and tricks, but those kids almost always shut him down.

Looking back, that was the magic of the campaign. One rabbit, one cereal, one catchphrase, and a generation that can still hear it in their head.