Nobody Doesn’t Like Sara Lee

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As a kid growing up, I didn’t understand why everyone said “Nobody doesn’t like Sara Lee” was incorrect English. I just knew they made great baked products.

The famous Sara Lee campaign was built around that odd but unforgettable line:

“Everybody doesn’t like something, but nobody doesn’t like Sara Lee.”

It was catchy, a little strange, and maybe not what your English teacher wanted to hear, but that was the point. The double negative made people notice it, remember it, and repeat it.

The commercials usually showed off Sara Lee cakes, pies, pound cake, coffee cake, and other desserts that looked like they came from a bakery, even if they came from the freezer. For a lot of families, Sara Lee was the “company’s coming” dessert you could serve without doing all the baking yourself.

Looking back, the grammar may have been questionable, but the advertising worked. Everybody had foods they didn’t like, but the campaign wanted us to believe Sara Lee was the one thing nobody could turn down.

And honestly, as a kid, I wasn’t diagramming the sentence. I was looking at the cake.

Virginia Slims: “You’ve Come a Long Way, Baby”

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The Virginia Slims commercials were some of the most memorable cigarette ads of the late 1960s and 1970s, built around the famous slogan “You’ve come a long way, baby.”

The campaign launched in 1968, aimed directly at women during the era of women’s liberation. The ads usually compared an old-fashioned scene of women being told what they couldn’t do with a modern, confident woman enjoying her independence. Then came the message: women had come a long way, and Virginia Slims was supposedly the cigarette made for them.

Looking back, it was clever marketing, but also pretty calculated. The ads borrowed the language of women’s progress to sell cigarettes. They made smoking look stylish, modern, and independent at a time when cigarette advertising was still everywhere.

For those of us who remember the commercials, the slogan is the thing that stuck. “You’ve come a long way, baby” became bigger than the product itself. It was catchy, bold, and very much of its time.

Today, the campaign feels like a time capsule: part advertising genius, part cultural manipulation, and a reminder of when cigarette commercials could still shape pop culture before they were banned from television in 1971.

Josephine the Plumber: Comet’s Cleaning Queen

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Josephine from the Comet cleanser commercials was played by Jane Withers, who had already been famous years earlier as a 1930s child star. Later, a whole new generation knew her not from the movies, but as Josephine the Plumber.

Josephine appeared in Comet commercials from the 1960s into the 1970s, usually dressed in white work overalls and showing how Comet could handle stains, sinks, tubs, and other tough cleaning jobs.

What made the campaign stand out was that a woman plumber was highly unusual on TV at the time. That was part of the hook. Instead of using a typical male repairman, Comet gave viewers Josephine — friendly, confident, and no-nonsense. She knew the pipes, the porcelain, and exactly what cleaner to use.

The character worked because she felt practical and believable. She was not glamorous or fancy. She was the woman who knew how to get the job done. Jane Withers reportedly even took a plumbing course to make the role feel more authentic.

For a lot of viewers, Josephine was one of those commercial faces you trusted. If she said Comet cleaned better, you believed her. She had that perfect old-school ad quality: part neighbor, part expert, part TV personality, and completely unforgettable.

“Muncha buncha, muncha buncha, Fritos go with lunch!”

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It was catchy, silly, and easy for kids to repeat, which is exactly what made old snack commercials work. A plain lunch suddenly felt more exciting when you added a bag of Fritos.

That was the charm of the campaign. It did not need a complicated story. It was just a happy little reminder that Fritos were salty, crunchy, and perfect next to a sandwich.

You’re singing it now, aren’t cha?

Smokey Bear’s Creepiest PSA?

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Before CGI, jump scares, and viral ads, Smokey Bear managed to give some of us a double take with one strange little public service announcement. Actress Joanna Cassidy calmly warned viewers about forest fires, then removed her red-haired “mask” to reveal she was actually Smokey Bear underneath.

It was supposed to remind us that everyone has a part to play in preventing forest fires. But if you saw it as a kid, you probably remembered the face-removal trick just as much as the message.

Effective? Absolutely.

A little creepy? Also absolutely.

“My dog’s bigger than your dog, my dog’s faster than yours!”

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Here’s another earworm from the ’70s to get stuck in your head for the rest of the day.

Ken-L Ration was one of the big names in dog food for decades, dating back to the 1920s. The brand became known for canned dog food and later dry food, but most of us remember it because of that insanely catchy commercial jingle.

The song was based on “My Dog’s Bigger Than Your Dog” by folk singer Tom Paxton, and the ad turned it into a playground-style brag between kids. The idea was simple: my dog is bigger, faster, shinier, and better because he eats Ken-L Ration.

It was the kind of jingle advertisers loved because you didn’t just hear it — you repeated it. Kids could sing it, parents remembered it, and the brand name was baked right into the hook.

Ken-L Ration was eventually owned by Quaker Oats and later sold to H.J. Heinz in the 1990s, but the product faded from store shelves. The jingle, though? That survived. For a lot of us, all it takes is one line:

“My dog’s bigger than your dog…”

…and suddenly the whole thing comes running back like a dog hearing the can opener.

When Aftershave Came With Self-Defense Instructions

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Hai Karate was one of those aftershaves that sold the joke as much as the scent.

It launched in 1967 and the whole idea was that the stuff made a man so irresistible that women would practically attack him. That is why the package and commercials leaned into the gag that every man needed self-defense instructions after putting it on. The famous warning was: “Be careful how you use it.”

The commercials were pure 1960s and early 1970s male fantasy advertising. A regular guy splashes on Hai Karate, and suddenly a woman goes wild for him. He has to use goofy karate moves to fend her off. It was played for broad slapstick laughs, with the martial arts craze and the “irresistible aftershave” idea mashed together into one very memorable campaign.

The campaign came from the ad firm McCaffrey & McCall, and one of the people behind the marketing plan was George Newall, who later became famous as a co-creator and songwriter for Schoolhouse Rock!

Looking back, it feels like the granddaddy of those later body spray ads where one spritz supposedly turns you into a babe magnet. Back then, though, Hai Karate had the extra gimmick: not only would women chase you, but you might need to defend yourself afterward.

It was silly, sexist, over-the-top, and very much of its time. But that is exactly why people remember it. The bottle may have been aftershave, but the real product was the joke.

You Can Trust Your Car…can you finish it?

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You Can Trust Your Car to the Man Who Wears the Star was one of those great old advertising lines that stuck in your head because it did exactly what a slogan was supposed to do: it made the brand feel safe, familiar, and dependable.

Texaco’s “star” was right there in the logo, and the “man who wears the star” was the service station attendant. Back then, gas stations were not just places where you pumped your own gas and left. An attendant might check your oil, clean your windshield, look at your tires, and give the car a quick once-over while you sat behind the wheel. The campaign sold Texaco as more than gasoline. It sold trust.

The slogan became closely tied to Texaco’s image during the full-service gas station era. The message was simple: pull into Texaco, look for the star, and you were in good hands. It fit perfectly with the time, when uniformed attendants and branded service stations were part of the American road trip experience.

The jingle is most commonly credited to Roy Eaton, a pioneering Black advertising composer who worked on major campaigns including Texaco and Chef Boyardee Beefaroni. One profile says Eaton created the Texaco jingle in 1962, and another notes it was recognized by Advertising Age as part of one of the top ad campaigns of the 20th century. As for who sang the original version, that part is less clear. The safest answer is that it was likely performed by commercial session singers over the years, with different versions used in different Texaco spots.

The line worked because it sounded almost like a jingle before you even heard the music. “You can trust your car to the man who wears the star” has that smooth, sing-song rhythm that made it easy to remember. Texaco also used another famous star-themed line, “Star of the American Road,” leaning heavily into the red star logo as a symbol of dependability.

Looking back, it is a reminder of when gas stations felt more personal. The “man who wears the star” was not just selling gas. He represented service, pride, and that old-school promise that somebody actually knew your car and cared whether you made it down the road.

You Can Take Salem Out of the Country But….

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Here’s another forgotten jingle to get stuck in your head: “You can take Salem out of the country, but you can’t take the country out of Salem.”

Salem cigarettes leaned heavily on that fresh, outdoorsy image, using country scenery, easygoing music, and a catchy slogan to make menthol smoking feel cool, clean, and almost wholesome. That was the magic of old cigarette advertising. They weren’t just selling cigarettes, they were selling a mood.

And like so many jingles from back then, once you remember it, it sticks. These commercials were polished little earworms, made to stay with you long after the TV was turned off.

That all changed when cigarette commercials were banned from radio and television starting January 2, 1971, after President Richard Nixon signed the Public Health Cigarette Smoking Act. The ads disappeared, but some of those jingles never really left our heads.Here’s another forgotten jingle to get stuck in your head: “You can take Salem out of the country, but you can’t take the country out of Salem.”

Salem cigarettes leaned heavily on that fresh, outdoorsy image, using country scenery, easygoing music, and a catchy slogan to make menthol smoking feel cool, clean, and almost wholesome. That was the magic of old cigarette advertising. They weren’t just selling cigarettes, they were selling a mood.

And like so many jingles from back then, once you remember it, it sticks. These commercials were polished little earworms, made to stay with you long after the TV was turned off.

That all changed when cigarette commercials were banned from radio and television starting January 2, 1971, after President Richard Nixon signed the Public Health Cigarette Smoking Act. The ads disappeared, but some of those jingles never really left our heads.

How We Got Cat Videos Before The Internet

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Before the internet gave us endless cat videos, we had to take them wherever we could get them, and sometimes that meant a Purina Cat Chow commercial. This old ad feels almost like the Joe Weider offers in the back of comic books, where you were always being promised something special if you paid attention, mailed away, or bought the product.

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