Enjoli: The 24-Hour Woman Who Could Bring Home the Bacon

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Who remembers “I can bring home the bacon, fry it up in a pan…”? Sometimes the commercial becomes more memorable than the product itself, and I think Enjoli is a perfect example

Charles of the Ritz introduced Enjoli in 1978 as “the eight-hour perfume for the 24-hour woman.” The woman in this commercial could go to work, come home, take care of the kids, cook dinner and still have enough energy left for romance. Looking at it today, it’s quite a time capsule of what advertising was telling women they should somehow be able to accomplish

The jingle wasn’t created from scratch for Enjoli either. It was adapted from “I’m a Woman,” written by Jerry Leiber and Mike Stoller. Christine Kittrell recorded it first in 1962, but Peggy Lee’s version later that year became the one most of us recognize. Enjoli rewrote the lyrics and turned a song from the early ’60s into one of the most memorable advertising jingles of the late ’70s

And apparently the advertising worked. Enjoli won the Fragrance Foundation’s 1979 Fragrance of the Year award in the Women’s Popular category.

The whole “24-hour woman” idea has become interesting historically too. Writers looking back at the period have used this very commercial when discussing the expectation that women could build careers while still handling most of the work at home

Enjoli even got a sequel of sorts in 1984 with Enjoli Midnight, advertised as a fragrance for “another eight hours in your life”

I’m guessing plenty of people who never owned a bottle of Enjoli can still sing that commercial

Did the jingle come back to you before the commercial was even over?

The king of jingles sang but did not write “Meet the Swinger… Polaroid Swinger…”

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If you grew up in the 60s, you remember it instantly: “Meet the Swinger… Polaroid Swinger…” That jingle didn’t just sell a camera, it stuck in your head for life.

Introduced in 1965, the Polaroid Swinger was designed to make photography easy and fun. It sold for $19.95 back then, which works out to about $190–$200 in 2026. With its simple “YES/NO” meter and instant photos, it made anyone feel like they knew what they were doing.

The commercials showed carefree young people at the beach and on bikes, capturing moments on the spot. A young Ali MacGraw even appeared before she was famous, helping give the campaign that youthful vibe.

And that jingle? Sung by Barry Manilow, with music by Mitch Leigh and lyrics by Phyllis Robinson, it became one of the most memorable ad tunes of the era.

Bottom line, the Swinger didn’t just sell a camera. It sold a feeling. And decades later, that tune is still stuck in our heads.

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