online community focused on sharing and reminiscing about video, audio, and images that stir our memories of the past – old television, theme songs, commercials, print advertisements, the sights and sounds you remember
Remember when late-night TV was full of mysterious 1-800 numbers promising to tell you the truth about love, money, and your future?
This psychic hotline ad has everything: purple graphics, dramatic music, smiling people on couches, and the magic words every commercial loved to use — “This call is FREE!” Of course, the tiny print told the real story: first few minutes free, then the meter started running.
It is a perfect little time capsule from that wonderfully weird era when TV convinced us that answers to life’s biggest questions were just one phone call away.
Did you ever call one of these numbers, or were you smart enough to just watch the commercial and wonder who actually did?
The Frito Bandito was introduced by Frito-Lay in 1967 as a cartoon mascot for Fritos corn chips. He was animated in early commercials by Tex Avery and voiced by Mel Blanc, the legendary voice behind Bugs Bunny, Daffy Duck, Porky Pig, and many others.
The idea was simple: the Bandito wanted your Fritos. With his sombrero, big mustache, pistols, and catchy jingle, he became one of those commercial characters kids remembered right away. The song, based on “Cielito Lindo,” made the ads especially hard to forget.
The campaign also drew complaints from Mexican-American groups who felt the character leaned too heavily on stereotypes. Frito-Lay softened his look over time, including removing the guns, but the character was eventually retired around 1971.
For many who grew up with late-’60s and early-’70s TV, the Frito Bandito is one of those ads that instantly brings back Saturday morning cartoons, snack commercials, and jingles you could still remember decades later.
Here’s another forgotten jingle to get stuck in your head: “You can take Salem out of the country, but you can’t take the country out of Salem.”
Salem cigarettes leaned heavily on that fresh, outdoorsy image, using country scenery, easygoing music, and a catchy slogan to make menthol smoking feel cool, clean, and almost wholesome. That was the magic of old cigarette advertising. They weren’t just selling cigarettes, they were selling a mood.
And like so many jingles from back then, once you remember it, it sticks. These commercials were polished little earworms, made to stay with you long after the TV was turned off.
That all changed when cigarette commercials were banned from radio and television starting January 2, 1971, after President Richard Nixon signed the Public Health Cigarette Smoking Act. The ads disappeared, but some of those jingles never really left our heads.Here’s another forgotten jingle to get stuck in your head: “You can take Salem out of the country, but you can’t take the country out of Salem.”
Salem cigarettes leaned heavily on that fresh, outdoorsy image, using country scenery, easygoing music, and a catchy slogan to make menthol smoking feel cool, clean, and almost wholesome. That was the magic of old cigarette advertising. They weren’t just selling cigarettes, they were selling a mood.
And like so many jingles from back then, once you remember it, it sticks. These commercials were polished little earworms, made to stay with you long after the TV was turned off.
That all changed when cigarette commercials were banned from radio and television starting January 2, 1971, after President Richard Nixon signed the Public Health Cigarette Smoking Act. The ads disappeared, but some of those jingles never really left our heads.
I remember my mom coming home from the grocery store, excited that they had just started selling pantyhose right there in the supermarket. Now, a lot of boys my age could have cared less, but even as a kid, I immediately saw the genius in this.
Before L’eggs, pantyhose usually meant a trip to a department store or some other clothing section. Then suddenly they were sitting there in the grocery store, packed in those unforgettable plastic eggs, right where moms were already shopping for milk, bread, coffee, and cereal. It was one of those simple ideas that made you wonder, “Why didn’t somebody do this sooner?”
And the display was just as smart as the product. Those big spinning racks of egg-shaped containers practically begged you to look at them. Even if you didn’t know much about pantyhose, you remembered the packaging. That was the genius of L’eggs. They didn’t just sell pantyhose, they turned it into an everyday grocery-store item.
Of course, once the pantyhose were out, those plastic eggs often got a second life around the house. Storage, toys, crafts, Easter decorations, you name it. Back then, nothing that useful-looking got thrown away right away.
Before the internet gave us endless cat videos, we had to take them wherever we could get them, and sometimes that meant a Purina Cat Chow commercial. This old ad feels almost like the Joe Weider offers in the back of comic books, where you were always being promised something special if you paid attention, mailed away, or bought the product.
Before cooking shows became calm, polished, and perfect, there was Graham Kerr, The Galloping Gourmet. He didn’t just walk onto the set, he practically burst in, full of energy, jokes, charm, and enough butter and wine to make every 1970s kitchen feel fancy. His show became a hit in the late 1960s and early 1970s, long before Food Network made TV chefs everyday celebrities.
In this clip, he’s doing what we would now call a kitchen “hack,” showing how to clarify butter with the help of a Dixie Cup, which also happened to be the advertiser. Back then, that kind of thing didn’t feel like a forced product placement. It was just part of the show, part cooking lesson, part commercial, and all entertainment. And somehow, Graham Kerr made even melted butter seem like a performance.
Leave it to the early 1980s to give us a controversy over a baby doll’s bare bottom.
Mattel’s Tippee-Toes was one of those dolls that was supposed to look cute, innocent, and lifelike. She could crawl, and like a lot of toy commercials from back then, the ad was aimed right at kids sitting in front of the TV, probably during cartoons or family programming. But then came the part that got people talking: the commercial showed the doll’s little bare backside.
That may sound pretty tame today, but back then one viewer found it offensive enough to complain to David Horowitz, the consumer advocate best known for Fight Back! with David Horowitz. Horowitz was the guy people turned to when they felt a product, commercial, or company needed to be called out. He built a career on standing up for consumers, testing products, and bringing viewer complaints into the spotlight.
The issue even made its way to The Tonight Show Starring Johnny Carson in 1982. Horowitz appeared on Carson and discussed the Tippee-Toes commercial, reportedly showing both the original ad and the changed version after complaints were made. It was one of those perfect Johnny Carson moments where something small, silly, and strangely serious all came together on national television.
Looking back, it feels almost impossible to believe this was a controversy. We grew up with talking dolls, creepy ventriloquist dummies selling chocolate milk, clowns selling cereal, and commercials that would probably send today’s internet into a panic. But a baby doll’s bare bottom? That was enough to get a consumer advocate involved and Mattel’s attention.
It’s a funny little reminder of how much TV, advertising, and what people considered “offensive” has changed over the years. Tippee-Toes was just trying to crawl across the screen, but somehow she crawled right into consumer TV history.
It amazes me how we hear a sound, song, or even a phrase like “It’s Shake and Bake and I Helped in an adorable southern accent. No real story comes to mind for me. How about you?
Back in the early 1980s, Sears was still one of the big American shopping destinations, and their “There’s More For Your Life At Sears” campaign tried to sell that feeling. It wasn’t just about buying appliances, tools, clothes, or lawn furniture. Sears wanted you to believe the whole family could find something there.
One of the familiar faces in the campaign was golf legend Arnold Palmer, who appeared alongside other recognizable sports figures of the time. The commercials had that upbeat, mall-era energy where everyone looked excited just to be shopping. Looking back now, they feel a little corny, but in the best possible nostalgic way.
For a lot of us, Sears was where you went for everything from back-to-school clothes to Craftsman tools, Kenmore appliances, Wish Book dreams, and maybe even a glimpse of Arnold Palmer telling us there was more to life at Sears.
