classic television Archives - Retro Reminiscing Video and Pictures

THE NIGHT MONDAY NIGHT FOOTBALL WAS BORN — SEPTEMBER 21, 1970

Can you imagine the NFL without Monday Night Football?

On September 21, 1970, America sat down for the first regular-season broadcast of ABC’s brand-new Monday Night Football — the New York Jets against the Cleveland Browns.

Now here’s something I didn’t realize: NFL teams had played occasional Monday games before this. CBS and NBC had even experimented with a few Monday-night telecasts during the 1960s. But this was different. This was the beginning of a weekly national television institution.

And ABC didn’t treat it like an ordinary Sunday football game moved to Monday.

Producer Roone Arledge wanted a show. He roughly doubled the usual number of cameras, emphasized instant replay and graphics, and put three personalities in the booth: Keith Jackson, Howard Cosell and former Cowboys quarterback Don Meredith. Frank Gifford, who many of us associate with that classic booth, wouldn’t replace Jackson until 1971.

Then there was the game itself.

A huge 85,703 people packed Cleveland Municipal Stadium. Cleveland jumped out to a 14-0 lead, Homer Jones returned the second-half kickoff 94 yards for a touchdown, and Joe Namath kept fighting back. The Jets actually outgained Cleveland 454 yards to 221.

But with New York trailing 24-21 late in the game, Cleveland’s Billy Andrews intercepted Namath and ran it back 25 yards for the touchdown that sealed a 31-21 Browns victory.

And listen to the music on those early broadcasts. The famous MNF music most of us recognize wasn’t there yet. The original theme was “Score,” written by Charles Fox, with that wonderfully funky Hammond-organ sound of 1970. “Heavy Action” didn’t arrive until years later.

What ABC created that night went far beyond football. Monday night became an event. You knew the voices, you knew the personalities, and if you were a kid, you probably tried negotiating just how much of the game you were allowed to stay awake for.

Were you watching Monday Night Football in those early years — and who do you remember most: Cosell, Meredith, Jackson or Gifford?

Who Remembers “The New People”?

I remember The New People, but oddly enough I remember the sound of the show more than I remember the stories. There was this strange little segue or transition sound they used between scenes that somehow stuck with me all these years. Hearing it again instantly brought the show back.

The New People premiered on ABC in September 1969 with a very late-’60s premise: a group of college students survives a plane crash on a deserted South Pacific island that had been prepared for an atomic test. The island came complete with buildings, supplies and even nuclear-test mannequins, giving the young survivors everything they needed to try building a new society from scratch.

There were some impressive names behind it. Aaron Spelling helped create the series, and Rod Serling wrote the original pilot. ABC also gave the show an unusual 45-minute time slot and paired it with The Music Scene in an effort to attract younger viewers.

The series only lasted 17 episodes, airing from September 1969 to January 1970, but it had some interesting future stars pass through. Richard Dreyfuss, Billy Dee Williams, Tyne Daly, Susan Howard and A Martinez all appeared during its short run.

The regular cast never produced a huge breakout star, although Tiffany Bolling went on to become a familiar face in cult films and television.

And then there’s that sound.

Does anybody else remember The New People — and do you remember that strange little transition sound too?

Liberace Feelin’ Groovy

This may be one of the strangest—and most wonderfully 1968—things I’ve come across in a while. That’s Liberace getting “groovy” with The Youngfolk on The Red Skelton Hour on March 5, 1968.

And The Youngfolk weren’t just a bunch of dancers thrown together for the show. They were an actual seven-member Los Angeles folk group who recorded for United Artists and had already made several appearances with Red Skelton.

The song, of course, was Paul Simon’s “The 59th Street Bridge Song (Feelin’ Groovy).” Simon & Garfunkel recorded it on August 16, 1966—which, amazingly, was 60 years ago this week. Their version wasn’t originally the big single, though. Harpers Bizarre turned it into a #13 hit in 1967 with an arrangement by Leon Russell.

What I love about this clip is watching television try to interpret the whole flower-power generation for a mainstream audience. Giant flowers, bright colors, “groovy” slang—and right in the middle of it all is Liberace, completely committing to the bit.

Even better, Paul Simon eventually admitted he really didn’t care for this song and once jokingly used it as his own punishment after making a mistake onstage!

Do you remember seeing variety shows trying to get “hip” like this back in the late ’60s?

He & She: One Season on TV, 64 Years Together in Real Life

On Friday I shared a post from Classic Movies Digest celebrating Richard Benjamin and Paula Prentiss and their remarkable 64-year marriage, so I thought this was a perfect time to bring back the opening to their 1967 sitcom, He & She

They met while attending Northwestern University and married in 1961. Then, six years later, CBS gave the real-life couple their own television marriage. Richard played cartoonist Dick Hollister and Paula played his wife Paula, a social worker — something still fairly unusual for a sitcom wife in 1967

Jack Cassidy nearly stole the show as Oscar North, the egotistical actor playing Dick’s comic-book creation Jetman on television. Oscar later became one of the inspirations for Ted Baxter on The Mary Tyler Moore Show

Unfortunately, audiences never really found He & She. CBS scheduled the sophisticated New York comedy Wednesday nights immediately after Green Acres, and Richard Benjamin later felt the two shows attracted very different audiences. After only 26 episodes, CBS canceled it

But the industry certainly noticed. He & She received five Emmy nominations, including acting nominations for Benjamin, Prentiss and Cassidy, and won for comedy writing. Allan Burns, one of those winning writers, would soon co-create The Mary Tyler Moore Show

Their careers certainly didn’t end with the show. Paula went on to The Parallax View and The Stepford Wives. Richard starred in Goodbye, Columbus, Westworld and The Sunshine Boys, then became the director of My Favorite Year, The Money Pit and Mermaids

One season together on television — and more than six decades together in real life

Does anyone remember He & She, or is this opening completely new to you?

F Troop

There’s no special birthday or anniversary behind today’s Ken Berry clips. They just happened to come up, and after seeing him in Mayberry R.F.D., it seemed only right to go back to the role that first made him a television star, Captain Wilton Parmenter on F Troop

Parmenter was a well-meaning but accident-prone officer who became a Civil War hero completely by mistake after his sneezes were misunderstood as orders to charge. From there, he was placed in command of Fort Courage, where Sergeant O’Rourke and Corporal Agarn ran their own questionable business deals while trying to keep the captain out of trouble

Ken Berry’s background as a singer and dancer helped make his falls, reactions and physical comedy look effortless. Before F Troop, he served in the Army with Leonard Nimoy and later became part of Desilu’s talent-development program after attracting the attention of Lucille Ball.

Melody Patterson was only 15 when she auditioned for Wrangler Jane after claiming she was 18, although she had turned 16 by the time filming began. Jane could ride and shoot better than most of Fort Courage’s soldiers, but Captain Parmenter somehow remained completely unaware that she was in love with him.

And then there was that unforgettable opening theme. William Lava composed the music and Irving Taylor wrote the lyrics, creating a song that quickly explained how Parmenter accidentally became a hero and ended up commanding F Troop. It was almost a miniature episode before the show even began.

F Troop lasted only two seasons, from 1965 through 1967, but Ken Berry, Forrest Tucker, Larry Storch, Frank de Kova and Melody Patterson created the kind of cast chemistry that kept the show popular through decades of reruns

Mayberry R.F.D.

How many of you kept watching Mayberry after Andy Griffith left? Mayberry R.F.D. continued the familiar small-town setting, but shifted the focus to farmer and town councilman Sam Jones, played by Ken Berry, and his young son Mike

The series still included many familiar faces, including Aunt Bee, Goober, Howard and Emmett. Its first episode even featured the long-awaited wedding of Andy Taylor and Helen Crump, giving longtime viewers a proper goodbye before the new chapter began

What may surprise many of us is how successful the show remained. Mayberry R.F.D. ranked among television’s top ten during its first two seasons and was still number 15 when CBS canceled it as part of the network’s move away from rural programming

This short clip also reminds us of the days when sponsors like Sanka and Post were announced as part of the program itself. Did Mayberry still feel the same to you after Andy left, or was something important missing?

CBS Sunday Nights 1978

This short CBS promo was advertising a surprisingly historic Sunday night on March 19, 1978. All in the Family said goodbye to Mike and Gloria as regular characters, Alice welcomed country star Jerry Reed as himself, and The Carol Burnett Show featured Steve Lawrence and Bernadette Peters in a musical salute to Cole Porter

The three programs represented an incredible stretch of television history. All in the Family aired from 1971 to 1979, Alice from 1976 to 1985 and The Carol Burnett Show from 1967 to 1978. Carol’s series was nearing its emotional finale, while CBS was still using Archie Bunker and Alice Hyatt to build one of Sunday television’s strongest comedy blocks

Even the music carried impressive credentials. Broadway composers Charles Strouse and Lee Adams created “Those Were the Days,” Linda Lavin sang an Alice theme written by David Shire and the Bergmans, and Carol’s familiar closing song was written by her husband and producer, Joe Hamilton

CBS Sports Spectacular

Do you remember when CBS Sports Spectacular could fill an afternoon with sports we rarely saw anywhere else? This short promo is a perfect example, jumping from championship boxing and roaring NHRA dragsters to the brand-new World’s Strongest Man competition

Carlos Palomino was defending his welterweight title, Shirley Muldowney had just become the first woman to win an NHRA Top Fuel championship, and future Incredible Hulk star Lou Ferrigno was testing his strength against athletes from several different sports

What made CBS Sports Spectacular so much fun was never knowing what might come next. It could feature a major championship one week and something completely unusual the next. Long before we had cable sports channels running around the clock, programs like this introduced us to athletes, competitions and entire sports we might never have discovered otherwise

Did you watch CBS Sports Spectacular regularly, or did you usually tune in only when a favorite sport was featured?

Alfred Hitchcock Presents

“Good evening.” With those two words, Alfred Hitchcock welcomed viewers into a weekly world of murder, mystery, suspense and wonderfully dark humor.

Alfred Hitchcock Presents premiered on CBS in 1955 and ran for seven seasons as a half-hour anthology. In 1962, it expanded into The Alfred Hitchcock Hour, continuing for three more seasons until 1965. Each episode told a separate story, usually ending with an unexpected twist or a criminal discovering that the perfect crime was not quite perfect.

The opening became almost as famous as the stories. Hitchcock stepped into a simple outline of his unmistakable profile while Charles Gounod’s “Funeral March of a Marionette” played. Hitchcock had drawn the nine-stroke caricature himself.

Although he introduced every program, Hitchcock directed only 17 episodes of the original half-hour series. Producers Joan Harrison and Norman Lloyd helped select stories, writers, directors and actors who could deliver a complete suspense film in less than 30 minutes.

The television series also influenced Hitchcock’s movies. He later used members of the show’s experienced television crew to make Psycho, helping him film quickly and economically while creating one of the most famous thrillers ever made.

Did the theme music make you uneasy before Hitchcock even said, “Good evening”?

Emergency! Inspired a Generation of First Responders

How many of our viewers became EMTs, first responders or entered another medical field because of the television show Emergency!?

The series premiered on January 15, 1972, and followed Los Angeles County firefighter-paramedics Johnny Gage and Roy DeSoto as they treated patients before rushing them to Rampart General Hospital. Randolph Mantooth and Kevin Tighe starred as Johnny and Roy, while Julie London, Bobby Troup and Robert Fuller played the hospital staff.

When Emergency! premiered, North America reportedly had only 12 paramedic units. Just four years later, about half of Americans lived within 10 minutes of paramedic care. The show introduced millions of viewers to defibrillation, intravenous medication and radio contact with emergency-room doctors, helping the public understand and support modern emergency medical services.

The series ran for six seasons and produced 122 episodes, followed by six television movies. Station 51 was played by the real Los Angeles County Fire Station 127, and the original Squad 51 remains preserved today.

National EMT and Paramedic Appreciation Day is observed on April 15, while National EMS Week is held each May. Chime in and let us honor you! Tell us where you serve, and feel free to brag about your station, department or hospital.