ABC “Meet Us in September” — 1969

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I remember this song like it was yesterday, played dozens of times a day on ABC to promote the new season. I was hoping to find the writer or performer of the song, but no luck this time.

“Meet Us in September” was ABC’s big promotional campaign for the fall of 1969, and looking back at what ABC was introducing that season, they had plenty to promote. The Brady Bunch, Marcus Welby, M.D., Room 222, The Courtship of Eddie’s Father, Love, American Style and ABC’s Movie of the Week were all part of that new season.

The graphics in this clip were created by Harry Marks, one of the pioneers of television motion graphics. That same year Marks worked with Douglas Trumbull, who had done groundbreaking visual-effects work on 2001: A Space Odyssey, to create the memorable opening for ABC’s Movie of the Week.

I really thought finding out who wrote and sang the catchy “Meet Us in September” jingle would be the easy part. Surprisingly, the surviving archival material credits Marks for the visuals but doesn’t identify a songwriter or the studio singers. Rather than guess and attach somebody’s name to it, we’ll have to leave that one a mystery for now.

ABC was still battling CBS and NBC for viewers, but this season brought some major successes. Marcus Welby finished #8 during its first season and, the following year, became the first ABC series ever to finish #1 in the ratings.

It’s funny how a little network promo like this can stick in your head for more than half a century. Does anyone else remember ABC playing “Meet Us in September” over and over as the new fall season approached?

Love, American Style: The Show Where Familiar Faces Got Another Shot

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Love, American Style was one of those shows that could only have come from that late ’60s and early ’70s TV era. It aired on ABC from 1969 to 1974 and was built as a romantic-comedy anthology, with different short stories each week about dating, marriage, misunderstandings, and all the funny little disasters that came with love.

The format was the secret. Since every episode had new stories, the show could bring in all kinds of guest stars: older stars people already knew, TV regulars between shows, comedians, singers, and young actors just starting out. It was a perfect landing place for performers whose biggest days may have cooled off, because they didn’t have to carry a whole series. They could pop in for one funny segment, remind viewers they were still around, and get a little prime-time shine again.

It also helped launch or boost newer names. Future stars like Diane Keaton, Sally Struthers, Albert Brooks, and Harrison Ford appeared on the show, and one segment later became the starting point for Happy Days.

That was the charm of Love, American Style. You never knew who would show up. One week it might be a familiar face from older TV or movies, the next week someone who would become famous later. It was light, colorful, a little cheeky for its time, and full of that ABC Friday night energy.

For a lot of actors, it wasn’t just another guest spot. It was a way to stay visible, stay working, and remind America, “Hey, you remember me.”

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