The Herculoids

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How many of you can still name all the Herculoids just from watching this opening? Zok, Igoo, Tundro, Gloop and Gleep — along with Zandor, Tara and Dorno — made for one of the strangest and most memorable groups Hanna-Barbera ever put together

What amazes me is how few episodes there actually were. The Herculoids debuted on CBS in 1967, and only 18 original half-hours were produced, containing 36 shorter adventures. Yet those episodes were rerun enough that the show feels like it was around much longer than it really was. Joseph Barbera later even recalled the series pulling an extraordinary 60 share in the ratings

The incredible look of the show came from Alex Toth, the legendary comic-book artist who helped shape Hanna-Barbera’s adventure cartoons. Toth was also heavily involved with characters and designs for Space Ghost, Birdman, Fantastic Four and other shows that gave Saturday mornings a very different look from Hanna-Barbera’s comedy cartoons

There was some great voice talent hiding behind all those creatures too. Mike Road, who many of us also remember as Race Bannon on Jonny Quest, handled Zandor along with Zok, Igoo and Tundro. Don Messick gave us both Gloop and Gleep before becoming the voice of Scooby-Doo just two years later

And those creatures really were wonderfully bizarre. Tundro had ten legs and fired explosive rocks, Zok shot energy beams, Igoo was essentially a walking rock pile, and Gloop and Gleep could turn themselves into practically whatever the story required — shields, trampolines, parachutes or slingshots

The Herculoids weren’t forgotten either. They crossed paths with Space Ghost, appeared in comics from both DC and Marvel, and returned with 11 brand-new adventures in 1981 as part of Space Stars. Oddly enough, their planet Amzot became Quasar for the revival

For a cartoon with only 18 original half-hours, The Herculoids certainly left a big impression

Who was your favorite — Zok, Igoo, Tundro, Gloop or Gleep?

Birdman and the Galaxy Trio

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How many of you remember this opening? Birdman and the Galaxy Trio arrived on NBC Saturday mornings on September 9, 1967, right in the middle of Hanna-Barbera’s great superhero period. Birdman could fly, fire solar energy from his hands and create shields, but there was one major catch — he had to keep recharging himself with sunlight. Take away the sun and suddenly our superhero was in serious trouble.

Birdman was created by legendary artist Alex Toth, whose fingerprints were all over this era of Hanna-Barbera adventure cartoons. He was also closely associated with the designs of Space Ghost and The Herculoids, which helps explain why these shows all had that wonderfully dramatic comic-book look many of us remember.

Keith Andes supplied Birdman’s powerful voice and that unforgettable “Biiiirdman!” battle cry. There were some other great connections hiding in the cast too. Don Messick was Falcon 7 before becoming Scooby-Doo, while Dick Beals played Birdboy — and if his voice sounds familiar, he was also Speedy Alka-Seltzer in hundreds of commercials. Over with the Galaxy Trio, Ted Cassidy, better known as Lurch on The Addams Family, voiced Meteor Man.

The music was by Ted Nichols, one of the composers who helped give Hanna-Barbera’s adventure shows such a big, dramatic sound. Nichols also worked on Space Ghost, Jonny Quest, Scooby-Doo and many other familiar cartoons during his years at Hanna-Barbera. He died earlier this year at age 97.

And September 9, 1967 was quite a Saturday morning. Birdman, The Herculoids and Hanna-Barbera’s Fantastic Four all debuted that same day on competing networks. Birdman himself lasted only 20 half-hours, but he certainly wasn’t forgotten. More than 30 years later he was completely reinvented as an attorney in Harvey Birdman, Attorney at Law, introducing the character to an entirely different generation.

Did you watch Birdman during its original run, or was this another one you discovered through Saturday morning reruns?

Speed Racer: Our First Taste of Anime Before We Knew the Word

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Speed Racer was one of those cartoons that felt different the second it came on. The theme song hit, the Mach 5 took off, and suddenly we were watching cliffs, crashes, secret buttons, masked racers, gangsters, and more danger than most Saturday morning cartoons dared to show.

The show began in Japan as Mach GoGoGo in 1967 before becoming Speed Racer for American audiences. Most of us didn’t know we were watching anime back then. We just knew it didn’t feel like Bugs Bunny, Scooby-Doo, or the usual superhero cartoons.

Compared to American cartoons of the time, Speed Racer was faster, stranger, and more dramatic. There were revenge plots, family secrets, real danger, and Racer X lurking around like something out of a spy movie. The animation could be limited, but the style made up for it with speed lines, dramatic close-ups, wild crashes, and that nonstop rapid-fire dialogue.

And of course, there was the Mach 5. What kid didn’t want a car with buttons that could jump, saw through trees, go underwater, and somehow survive every impossible race?

Looking back, Speed Racer was a lot of kids’ first introduction to anime, even if we didn’t have that word yet. It was loud, weird, exciting, and unforgettable.

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