Before the internet gave us endless cat videos, we had to take them wherever we could get them, and sometimes that meant a Purina Cat Chow commercial. This old ad feels almost like the Joe Weider offers in the back of comic books, where you were always being promised something special if you paid attention, mailed away, or bought the product.
Category: 1970’s
Who Remembers The Galloping Gourmet?
Before cooking shows became calm, polished, and perfect, there was Graham Kerr, The Galloping Gourmet. He didn’t just walk onto the set, he practically burst in, full of energy, jokes, charm, and enough butter and wine to make every 1970s kitchen feel fancy. His show became a hit in the late 1960s and early 1970s, long before Food Network made TV chefs everyday celebrities.
In this clip, he’s doing what we would now call a kitchen “hack,” showing how to clarify butter with the help of a Dixie Cup, which also happened to be the advertiser. Back then, that kind of thing didn’t feel like a forced product placement. It was just part of the show, part cooking lesson, part commercial, and all entertainment. And somehow, Graham Kerr made even melted butter seem like a performance.
There’s no need to fear, Underdog is here!
I’ll never forget when my mom pointed out during an episode of Hollywood Squares that Wally Cox was the voice of Underdog. Oh, the world was so complicated back then, so many thanks to our moms who had the patience and love to guide us through the important stuff, like cartoon trivia.
Underdog debuted in 1964 and gave us Shoeshine Boy, the mild-mannered little dog who became a rhyming superhero whenever trouble showed up. With Sweet Polly Purebred usually in danger and villains like Simon Bar Sinister causing trouble, Underdog would come flying in with that famous line that still sticks in our heads all these years later.
There’s no need to fear, Underdog is here!
Wonderful World Of Disney!
Oh, the magical opening for The Wonderful World of Disney and the wonderful world of color! This was the time when we got our first color TV, and we would sing this whenever a TV show was in color. Growing up, we didn’t have much money on Dad’s salary as a Marine, but we had one of the first color TVs on the market. What a hero he was bringing this big 21-inch console into our home! Between our toys and TV, we were all set.
We always looked forward to Sundays with The Wonderful World Of Disney to wrap up our weekend. Then came that sad little realization: the show was ending, bedtime was coming, and school was waiting for us the next morning.
The Disney anthology show first began on ABC in 1954 as Walt Disney’s Disneyland. It later became Walt Disney Presents, then moved to NBC in 1961 as Walt Disney’s Wonderful World of Color, which was a perfect title for the era when color TV still felt like magic. By 1969, it became The Wonderful World of Disney, the name so many of us remember. Over the years it moved between ABC, NBC, and CBS, with different titles including The Disney Sunday Movie and The Magical World of Disney. The series has continued in different forms and special presentations for decades, making it one of the longest-running prime-time programs in American television history.
For a lot of us, it wasn’t just a TV show. It was part of the Sunday night routine, that last bit of weekend magic before Monday morning came knocking.
70’s Canister Set
We had this canister set, but ours was brown, or whatever that official 1970s brown color was called. You know the one, somewhere between chocolate, coffee, and “everything in the kitchen must look like earth tones.”
Seeing something like this is funny because it is just a simple photo, but it brings back a flood of childhood memories. I remember our tea canister stacked on top of the coffee canister, and the other three were all the same size. For some reason, I thought that was pretty cool. Then again, back then, most things seemed pretty cool.
The 1970s kitchen definitely had its own look. Avocado green, harvest gold, burnt orange, and those deep browns seemed to be everywhere, from appliances to countertops to dishes and canister sets like these. Nothing matched today’s idea of “modern,” but somehow it all felt warm, familiar, and homey.
It is amazing how one little thing from the kitchen counter can take you right back. You can almost picture the percolator, the Tupperware, the patterned wallpaper, and someone telling you not to touch anything because company was coming over.
Did your family have a canister set like this, and what color was yours?
Laugh-In Favorites
I still can’t believe my Marine sergeant dad, the same dad who hated hippies and anti-war protesters, the same dad who tuned into Lawrence Welk and Hee Haw, actually enjoyed Laugh-In.
That show was loud, weird, colorful, and full of the exact kind of counterculture humor you would think he’d complain about. But somehow, Rowan & Martin’s Laugh-In worked its way into living rooms like ours. Maybe it was the fast jokes, maybe it was the pretty girls, maybe it was the one-liners, or maybe it was just goofy enough that even the strict dads could laugh before they realized what they were laughing at.
For all the things my dad would not tolerate, somehow Laugh-In got a pass. And that may be one of the funniest things about the show. It was strange enough for the kids, fast enough for the adults, and somehow ridiculous enough to bring everybody into the same room.
Which of these lights did you own back in the day?
Before LED light strips and remotes, we had to do it the old-school way in the 1970s. If you wanted to make your room look cool, you went with black lights, lava lamps, strobe lights, flicker lights, and if you were really lucky, a color organ. This old Spiegel catalog page is a great reminder of just how different mood lighting was back then.
For me, it was number 7, the Listen-Light, also known as a color organ. You plugged it in, played your music, and the lights changed with the sound. Back then, that felt futuristic. Today it seems simple compared to all the LED lighting options out there, but in the 70s this stuff was magic. Which lights did you own?
Hey Grandpa! What’s For Dinner?
It still wasn’t as bad as when Dad turned on Lawrence Welk, but Hee Haw always felt like the country cousin of Rowan & Martin’s Laugh-In. It had the same quick jokes, blackout skits, silly one-liners, and regular cast bits, just with more overalls, cornfields, banjos, and country music stars dropping by.
The show first aired in 1969, right around the same era when Laugh-In was still the cool, fast-moving comedy show everyone was talking about. Hee Haw took that same rapid-fire style and gave it a country spin, and somehow it stuck around for years. Even if you weren’t a big country music fan, you probably remember the corny jokes, the haystacks, the “salute” segments, and someone in the house laughing at lines that made the rest of us groan. And who can forget Grandpa?
Super Friends
Super Friends was one of those Saturday morning cartoons that made DC superheroes feel like they all lived in the same neighborhood. It first aired on ABC in 1973 and was produced by Hanna-Barbera, bringing together Superman, Batman and Robin, Wonder Woman, Aquaman, and later other heroes from the Justice League world.
The show was definitely made for kids, so the action was toned way down compared to the comic books. Instead of darker superhero stories, you got teamwork, moral lessons, danger, science-fiction plots, and everybody meeting at the famous Hall of Justice. Early on, the show even had kid sidekicks Wendy, Marvin, and Wonder Dog, before later seasons brought in the much better-remembered Wonder Twins, Zan and Jayna, with their monkey Gleek.
For a lot of us, the best-remembered version is probably Challenge of the Superfriends from 1978. That’s the one that gave us the Legion of Doom, led by Lex Luthor, with villains like Cheetah, Riddler, Bizarro, Scarecrow, Captain Cold, Black Manta, and Solomon Grundy. Their creepy swamp headquarters, the Hall of Doom, was almost as memorable as the heroes themselves.
Looking back, Super Friends could be corny, stiff, and sometimes unintentionally funny, but that was also part of its charm. For a whole generation, this was the first time we saw Superman, Batman, Wonder Woman, and the rest of the gang teaming up every Saturday morning. Before the big movies, before the modern animated Justice League shows, this was our superhero universe.
Oscar Mayer Weiner Ad
Another jingle to get stuck in your head! The Oscar Mayer wiener jingle was written by Richard D. Trentlage, a Chicago advertising jingle writer. He came up with “Oh, I wish I were an Oscar Mayer wiener…” in 1962 for an Oscar Mayer contest, and it became one of the most famous commercial jingles ever