Shopping For Phones

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Who remembers when we were finally able to go shopping for our own telephone?

For years, the telephone was basically part of your phone service. Ma Bell supplied it, you paid for it every month, and there usually wasn’t much reason to think of the phone itself as something you would go shopping for

That began changing in the 1970s with Bell PhoneCenters and all those new colors and styles. The transition was actually a little strange — with some early Design Line phones, you bought the decorative outer housing while Bell still owned and maintained the working parts inside. Eventually, complete customer-owned phones became the norm

And I’m sure many of us made sure that second or third phone had all the new bells and whistles — almost literally! Touch-Tone buttons, last-number redial, programmable memory dialing, speakerphone, mute, hold and answering machines became things to look for. Then there were telephone-company features like Call Waiting, Call Forwarding, Three-Way Calling and Speed Calling. Caller ID came later and suddenly knowing who was calling before answering seemed absolutely amazing

What surprised me is how successful the shopping concept was. Bell reported in 1974 that 73 percent of PhoneCenter customers selected an extension phone, compared with 58 percent of customers using the old sales method. The stores let you actually see and touch dozens of phones instead of having somebody describe them over the telephone

And look at the variety in this commercial — colorful phones, fancy phones, character phones and phones designed to match the furniture. Bell even sold Mickey Mouse, Snoopy, Winnie-the-Pooh and that unforgettable doughnut-shaped Sculptura phone

Then almost overnight it seemed every department store had phones, and eventually nearly every phone came loaded with features we once thought were something special

What was the first telephone you remember actually buying instead of renting from the phone company?

Joe DiMaggio as the face of Mr. Coffee

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When this ad aired in 1974, America was right in the middle of changing the way it made coffee. For generations, the kitchen percolator had been the standard. Then Mr. Coffee came along with automatic drip brewing, and Joe DiMaggio became the familiar, trusted face convincing people to give this new machine a try.

He didn’t exactly “kill” the percolator himself, but he certainly helped America move away from it. Mr. Coffee had only been introduced in 1972, yet by April 1974 the company had already sold its millionth machine.

One of my favorite details is that DiMaggio reportedly turned down the endorsement at first—and had actually won a Mr. Coffee machine at a golf tournament before the company ever approached him.

And here’s the best irony of all: the man who became one of the most famous coffee spokesmen in television history reportedly wasn’t much of a coffee drinker himself.

Do you remember when your family finally replaced the old percolator with a Mr. Coffee?

Don’t Blow Your Top

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Don’t Blow Your Top came out in 1972, and this is one of those wonderfully simple toy ideas that probably didn’t need much explaining to a kid. You spun the spinner, added the required number of marbles to the character’s hat, and watched the pressure build on a real balloon hidden underneath. Eventually — POP! — somebody literally blew his top

The game came from Marvin Glass & Associates, the legendary Chicago toy-design company connected with Mouse Trap, Operation, Rock ’Em Sock ’Em Robots, Lite-Brite and eventually Simon. They created and developed toy ideas, then licensed them to companies like Schaper to manufacture and sell

Schaper itself had quite a history. The company was founded by Minneapolis mailman Herb Schaper, whose homemade Cootie game became such a huge success that Schaper eventually promoted itself as “The Cootie Company,” just as we hear at the end of this commercial. The company also gave us familiar games like Ants in the Pants and Don’t Break the Ice

And I have to give them credit for the name. “Don’t blow your top” was already a familiar expression for losing your temper, so turning that into a game where the poor fellow actually blows his top was pretty clever

The game apparently had some staying power too, with advertising for it continuing several years after its 1972 introduction

Did anyone have Don’t Blow Your Top — and was waiting for that balloon to pop more fun than actually winning?

Mayberry R.F.D.

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How many of you kept watching Mayberry after Andy Griffith left? Mayberry R.F.D. continued the familiar small-town setting, but shifted the focus to farmer and town councilman Sam Jones, played by Ken Berry, and his young son Mike

The series still included many familiar faces, including Aunt Bee, Goober, Howard and Emmett. Its first episode even featured the long-awaited wedding of Andy Taylor and Helen Crump, giving longtime viewers a proper goodbye before the new chapter began

What may surprise many of us is how successful the show remained. Mayberry R.F.D. ranked among television’s top ten during its first two seasons and was still number 15 when CBS canceled it as part of the network’s move away from rural programming

This short clip also reminds us of the days when sponsors like Sanka and Post were announced as part of the program itself. Did Mayberry still feel the same to you after Andy left, or was something important missing?

I Can’t Believe I Ate That Whole Thing!

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“I can’t believe I ate that whole thing!” became one of those commercial lines everyone seemed to repeat, even if they had forgotten it came from Alka-Seltzer. Milt Moss played the painfully overstuffed Ralph, while Lynn Whinic delivered the perfectly dry response that made the 1972 spot so memorable.

The idea reportedly came after advertising writer Howie Cohen overate at a celebration dinner and complained about eating the whole thing. The commercial later entered the Clio Awards Hall of Fame and was even recreated decades later with Peter Boyle and Doris Roberts. Do you remember quoting this commercial around the house?

We’re Having Beefaroni !!

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How many of you remember hearing “Hooray for Beefaroni” and suddenly wanting a bowl? This 1970s commercial turns a simple ride home for lunch into a little Italian adventure, with the young bicyclist speeding past markets, crowds and landmarks before finally reaching his Beefaroni

The commercial was part of a much larger campaign created by Young & Rubicam. Composer Roy Eaton wrote the memorable Beefaroni jingle, and it remained connected to the product for more than 30 years. An earlier commercial featured children charging through Venice while singing, creating an image that advertising writers later compared to the running of the bulls

The chef pictured on the can was not an invented mascot. Ettore Boiardi was a successful Italian-born chef who opened a Cleveland restaurant in 1924. Customers enjoyed his sauce so much that they began asking to take it home, eventually helping turn his restaurant recipes into a nationwide grocery brand. The spelling “Boy-Ar-Dee” was created simply to help Americans pronounce Boiardi correctly

Was Beefaroni a regular lunch in your house? Are you singing the jingle now?

Butter or Parkay?

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How many of you immediately heard that little tub say “butter” before Vic Tayback even finished arguing with it? This 1976 Parkay commercial is one of those advertisements where a single word can bring the entire routine back

Tayback appeared in the commercial during the same year Alice premiered on CBS, introducing television audiences to Mel Sharples and his famously short temper. What many of us probably never knew was that Michael Bell supplied the voice of the Parkay tub. He later became one of animation’s busiest performers, voicing characters in G.I. Joe, The Transformers, The Smurfs and Rugrats

What I love about this campaign is how simple it was. A person said “Parkay,” the package insisted it was “butter,” and eventually the person became convinced. The tub then switched sides and proudly announced “Parkay!” That little argument became so recognizable that other television programs began parodying it

Parkay kept bringing the talking package back for decades. In 2002, the company even placed computer chips under thousands of lids so selected tubs could actually say “butter.” Did anyone in your family ever repeat the commercial whenever Parkay appeared on the breakfast table?

This Ad Introduced Visa’s New Name

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Yes, this commercial was introducing what looked like a new credit card, but it was actually announcing that BankAmericard was becoming Visa. The ad shows the new Visa card placed directly over the older BankAmericard and ends with the line, “We’re keeping up with you.”

Bank of America had introduced BankAmericard in 1958. By the 1970s, many banks inside and outside the United States were issuing versions of the card, sometimes under different regional names. The organization adopted Visa in 1976 because it was a simple international name that sounded similar in different languages.

This appears to be the 1977 “Becoming Visa” campaign. The scenes of travel, restaurants, boating and shopping were meant to show that the card was becoming more modern and useful wherever customers went.

Existing BankAmericard holders did not need to open a completely new account. New cards gradually carried the Visa name, while older BankAmericards remained valid during the transition, reportedly until October 1, 1979.

CBS Sunday Nights 1978

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This short CBS promo was advertising a surprisingly historic Sunday night on March 19, 1978. All in the Family said goodbye to Mike and Gloria as regular characters, Alice welcomed country star Jerry Reed as himself, and The Carol Burnett Show featured Steve Lawrence and Bernadette Peters in a musical salute to Cole Porter

The three programs represented an incredible stretch of television history. All in the Family aired from 1971 to 1979, Alice from 1976 to 1985 and The Carol Burnett Show from 1967 to 1978. Carol’s series was nearing its emotional finale, while CBS was still using Archie Bunker and Alice Hyatt to build one of Sunday television’s strongest comedy blocks

Even the music carried impressive credentials. Broadway composers Charles Strouse and Lee Adams created “Those Were the Days,” Linda Lavin sang an Alice theme written by David Shire and the Bergmans, and Carol’s familiar closing song was written by her husband and producer, Joe Hamilton

CBS Sports Spectacular

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Do you remember when CBS Sports Spectacular could fill an afternoon with sports we rarely saw anywhere else? This short promo is a perfect example, jumping from championship boxing and roaring NHRA dragsters to the brand-new World’s Strongest Man competition

Carlos Palomino was defending his welterweight title, Shirley Muldowney had just become the first woman to win an NHRA Top Fuel championship, and future Incredible Hulk star Lou Ferrigno was testing his strength against athletes from several different sports

What made CBS Sports Spectacular so much fun was never knowing what might come next. It could feature a major championship one week and something completely unusual the next. Long before we had cable sports channels running around the clock, programs like this introduced us to athletes, competitions and entire sports we might never have discovered otherwise

Did you watch CBS Sports Spectacular regularly, or did you usually tune in only when a favorite sport was featured?

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