online community focused on sharing and reminiscing about video, audio, and images that stir our memories of the past – old television, theme songs, commercials, print advertisements, the sights and sounds you remember
1963 was a little early for me to go out and get a quick tan. I just did it the old-fashioned way — by playing outside! But I sure remember the jingle.
Back then, nobody thought much about sunscreen warnings. You went outside, rode bikes, played ball, ran around the neighborhood, and by the end of summer you had the tan lines to prove it.
QT promised color without baking in the sun, which sounds funny now because self-tanners later became famous for streaks, blotches, and that dreaded orange look. But in that era, tanning was sold as healthy, glamorous, and fashionable.
Looking back, QT feels like a perfect little time capsule: a bottle promising summer color on demand, indoor or outdoor, rain or shine. Before spray tans, tanning beds, bronzers, and modern sunscreen warnings, there was Coppertone QT telling everyone they could hurry up and get tan.
Hai Karate was one of those aftershaves that sold the joke as much as the scent.
It launched in 1967 and the whole idea was that the stuff made a man so irresistible that women would practically attack him. That is why the package and commercials leaned into the gag that every man needed self-defense instructions after putting it on. The famous warning was: “Be careful how you use it.”
The commercials were pure 1960s and early 1970s male fantasy advertising. A regular guy splashes on Hai Karate, and suddenly a woman goes wild for him. He has to use goofy karate moves to fend her off. It was played for broad slapstick laughs, with the martial arts craze and the “irresistible aftershave” idea mashed together into one very memorable campaign.
The campaign came from the ad firm McCaffrey & McCall, and one of the people behind the marketing plan was George Newall, who later became famous as a co-creator and songwriter for Schoolhouse Rock!
Looking back, it feels like the granddaddy of those later body spray ads where one spritz supposedly turns you into a babe magnet. Back then, though, Hai Karate had the extra gimmick: not only would women chase you, but you might need to defend yourself afterward.
It was silly, sexist, over-the-top, and very much of its time. But that is exactly why people remember it. The bottle may have been aftershave, but the real product was the joke.
That line was everywhere. The ads promised you didn’t need much, just a small dab, and suddenly you’d look sharp, smooth, and “debonair.” The jingle was credited to Hanley M. Norins of the Young & Rubicam advertising agency.
Of course, the best part was the promise that “the gals’ll all pursue ya” and love running their fingers through your hair. That was peak old-school advertising: use the product, look handsome, and suddenly romance is chasing you down the street.
By the 1960s, the Beatles and the dry, natural hair look started making heavily slicked hair seem old-fashioned, so Brylcreem had to adjust its pitch. But for anyone who grew up hearing that jingle, “a little dab’ll do ya” is still one of those lines that instantly brings back a whole era of bathroom mirrors, combs, crew cuts, and Dad’s medicine cabinet.
They were first sold as a quick toaster pastry and originally came in four flavors: strawberry, blueberry, brown sugar cinnamon, and apple currant. The frosted versions came a few years later, after Kellogg’s figured out the icing could survive the toaster
You Can Trust Your Car to the Man Who Wears the Star was one of those great old advertising lines that stuck in your head because it did exactly what a slogan was supposed to do: it made the brand feel safe, familiar, and dependable.
Texaco’s “star” was right there in the logo, and the “man who wears the star” was the service station attendant. Back then, gas stations were not just places where you pumped your own gas and left. An attendant might check your oil, clean your windshield, look at your tires, and give the car a quick once-over while you sat behind the wheel. The campaign sold Texaco as more than gasoline. It sold trust.
The slogan became closely tied to Texaco’s image during the full-service gas station era. The message was simple: pull into Texaco, look for the star, and you were in good hands. It fit perfectly with the time, when uniformed attendants and branded service stations were part of the American road trip experience.
The jingle is most commonly credited to Roy Eaton, a pioneering Black advertising composer who worked on major campaigns including Texaco and Chef Boyardee Beefaroni. One profile says Eaton created the Texaco jingle in 1962, and another notes it was recognized by Advertising Age as part of one of the top ad campaigns of the 20th century. As for who sang the original version, that part is less clear. The safest answer is that it was likely performed by commercial session singers over the years, with different versions used in different Texaco spots.
The line worked because it sounded almost like a jingle before you even heard the music. “You can trust your car to the man who wears the star” has that smooth, sing-song rhythm that made it easy to remember. Texaco also used another famous star-themed line, “Star of the American Road,” leaning heavily into the red star logo as a symbol of dependability.
Looking back, it is a reminder of when gas stations felt more personal. The “man who wears the star” was not just selling gas. He represented service, pride, and that old-school promise that somebody actually knew your car and cared whether you made it down the road.
I remember my mom coming home from the grocery store, excited that they had just started selling pantyhose right there in the supermarket. Now, a lot of boys my age could have cared less, but even as a kid, I immediately saw the genius in this.
Before L’eggs, pantyhose usually meant a trip to a department store or some other clothing section. Then suddenly they were sitting there in the grocery store, packed in those unforgettable plastic eggs, right where moms were already shopping for milk, bread, coffee, and cereal. It was one of those simple ideas that made you wonder, “Why didn’t somebody do this sooner?”
And the display was just as smart as the product. Those big spinning racks of egg-shaped containers practically begged you to look at them. Even if you didn’t know much about pantyhose, you remembered the packaging. That was the genius of L’eggs. They didn’t just sell pantyhose, they turned it into an everyday grocery-store item.
Of course, once the pantyhose were out, those plastic eggs often got a second life around the house. Storage, toys, crafts, Easter decorations, you name it. Back then, nothing that useful-looking got thrown away right away.
Leave it to the early 1980s to give us a controversy over a baby doll’s bare bottom.
Mattel’s Tippee-Toes was one of those dolls that was supposed to look cute, innocent, and lifelike. She could crawl, and like a lot of toy commercials from back then, the ad was aimed right at kids sitting in front of the TV, probably during cartoons or family programming. But then came the part that got people talking: the commercial showed the doll’s little bare backside.
That may sound pretty tame today, but back then one viewer found it offensive enough to complain to David Horowitz, the consumer advocate best known for Fight Back! with David Horowitz. Horowitz was the guy people turned to when they felt a product, commercial, or company needed to be called out. He built a career on standing up for consumers, testing products, and bringing viewer complaints into the spotlight.
The issue even made its way to The Tonight Show Starring Johnny Carson in 1982. Horowitz appeared on Carson and discussed the Tippee-Toes commercial, reportedly showing both the original ad and the changed version after complaints were made. It was one of those perfect Johnny Carson moments where something small, silly, and strangely serious all came together on national television.
Looking back, it feels almost impossible to believe this was a controversy. We grew up with talking dolls, creepy ventriloquist dummies selling chocolate milk, clowns selling cereal, and commercials that would probably send today’s internet into a panic. But a baby doll’s bare bottom? That was enough to get a consumer advocate involved and Mattel’s attention.
It’s a funny little reminder of how much TV, advertising, and what people considered “offensive” has changed over the years. Tippee-Toes was just trying to crawl across the screen, but somehow she crawled right into consumer TV history.
If you grew up in the 60s, you remember it instantly: “Meet the Swinger… Polaroid Swinger…” That jingle didn’t just sell a camera, it stuck in your head for life.
Introduced in 1965, the Polaroid Swinger was designed to make photography easy and fun. It sold for $19.95 back then, which works out to about $190–$200 in 2026. With its simple “YES/NO” meter and instant photos, it made anyone feel like they knew what they were doing.
The commercials showed carefree young people at the beach and on bikes, capturing moments on the spot. A young Ali MacGraw even appeared before she was famous, helping give the campaign that youthful vibe.
And that jingle? Sung by Barry Manilow, with music by Mitch Leigh and lyrics by Phyllis Robinson, it became one of the most memorable ad tunes of the era.
Bottom line, the Swinger didn’t just sell a camera. It sold a feeling. And decades later, that tune is still stuck in our heads.
You ever look back at some of these old commercials and just shake your head?
This is one of those for me… the one where they made a big deal about a cigarette being just a little bit longer. We’re talking a millimeter… something you’d need a ruler to even notice. But back then? They sold it like it was a game changer.
Even as a kid I remember thinking, wait… that’s it? But the way they presented it, you’d think you were looking at a luxury item. Zoomed in shots, side-by-side comparisons, and that smooth voiceover selling the idea like it mattered.
Brands like Virginia Slims leaned hard into that image. It wasn’t just smoking… it was style, confidence, sophistication. And tied into that whole “You’ve come a long way, baby” vibe, it all felt bigger than it really was.
And then there’s the music.
That jingle always hit my ear like La Bamba… that same upbeat, bouncing rhythm that sticks in your head whether you want it to or not. Not the actual song… but close enough that your brain grabs onto it.
And somehow they wrapped all of that together and made cigarette size a trend.
Think about that.
There was a time when a slightly longer cigarette felt like a status move. Longer, slimmer… like you were keeping up with something. They took something barely noticeable and turned it into a whole thing.
Different times, right?
But here we are… still talking about it.
Let me ask you…
Were your parents into the trends… or once they picked a brand, that was it?
